Variations & Fugue on a Theme by Telemann, Op. 134: Var. 14, Meno vivace - Max Reger, Marc-André Hamelin Information

Acousticness: 99%
Danceability: 38%
Energy: 19%
Instrumentalness: 86%
Liveness: 10%
Loudness: 64%
Speechiness: 4%
Valence: 39%
Popularity: 2%
Loudness: -21.701 dB

Summary

Max Reger, Marc-André Hamelin's 'Variations & Fugue on a Theme by Telemann, Op. 134: Var. 14, Meno vivace' had a release date set for January 1, 1999. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 46 in the song's album "Reger: Piano Music - Bach Variations, Telemann Variations etc.". In this album, this song's track order is #36. Furthermore, we believe that the track originated from United Kingdom. The popularity of Variations & Fugue on a Theme by Telemann, Op. 134: Var. 14, Meno vivace is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Variations & Fugue on a Theme by Telemann, Op. 134: Var. 14, Meno vivace BPM

With Variations & Fugue on a Theme by Telemann, Op. 134: Var. 14, Meno vivace by Max Reger, Marc-André Hamelin having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Variations & Fugue on a Theme by Telemann, Op. 134: Var. 14, Meno vivace Key

This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo	Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields	A Minor	2	8A	86 BPM
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	B♭ Major	0	6B	82 BPM
A Midsummer Night's Dream, Op. 61: Scherzo	Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées	G Minor	1	6A	118 BPM
Symphony No. 3 in F Major, Op. 90: 4. Allegro	Johannes Brahms, Berliner Philharmoniker, Claudio Abbado	C Major	1	8B	79 BPM
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher)	Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra	G Minor	1	6A	86 BPM
The Tempest, Suite No. 2, Op. 109: III. Dance of the Nymphs	Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu	C Major	0	8B	131 BPM
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer	Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan	F Major	2	7B	74 BPM
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): II. Adagio, ma non tanto	Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz	E Minor	0	9A	103 BPM
Habanera	Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner	A Major	0	11B	128 BPM
5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 3, Carol. Andante semplice	Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths	B♭ Major	0	6B	78 BPM

ISRC: GBAJY9899636
Label: L-M Records/RCA Records