"Le Nozze di Figaro, Act 4: Gente, gente, all'armi, all'armi" by Wiener Philharmoniker, Kurt Rydl, Margaret Price, Patrizia Pace, Riccardo Muti, Ann Murray, Jorma Hynninen, Vienna State Opera Chorus, Kathleen Battle, Thomas Allen was released on August 2, 2013. With this song being about 5 minutes long, at 4:58, "Le Nozze di Figaro, Act 4: Gente, gente, all'armi, all'armi" by Wiener Philharmoniker, Kurt Rydl, Margaret Price, Patrizia Pace, Riccardo Muti, Ann Murray, Jorma Hynninen, Vienna State Opera Chorus, Kathleen Battle, Thomas Allen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 22 out of 214. Based on our statistics, Le Nozze di Figaro, Act 4: Gente, gente, all'armi, all'armi's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Nozze di Figaro, Act 4: Gente, gente, all'armi, all'armi by Wiener Philharmoniker, Kurt Rydl, Margaret Price, Patrizia Pace, Riccardo Muti, Ann Murray, Jorma Hynninen, Vienna State Opera Chorus, Kathleen Battle, Thomas Allen to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ヴァイオリン協奏曲 ニ長調 Op. 77: II. Adagio | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | C Major | 1 | 8B | 67 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Six German Dances, D820: No.2 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
Waltz No. 7 in C-Sharp Minor, Op. 64 No. 2 | Frédéric Chopin, Alice Sara Ott | F Minor | 1 | 4A | 80 BPM | ||
Sinfonia Concertante for Four Winds in E-Flat Major, K. 297b: II. Adagio | Wolfgang Amadeus Mozart, Jaime Martin, London Symphony Orchestra, Timothy Jones, Juliana Koch, Chris Richards, Rachel Gough | E♭ Major | 0 | 5B | 130 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Vivaldi: Le quattro stagioni (The Four Seasons), Op. 8: Violin Concerto No. 3 in F Major, RV 293, "L'Autunno". I. Allegro | Antonio Vivaldi, Sarah Chang, Orpheus Chamber Orchestra | F Major | 1 | 7B | 118 BPM |
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