"Petite suite, L. 65: I. En bateau" by Claude Debussy, Philip Chiu was released on February 9, 2024. With this song being about 5 minutes long, at 4:46, "Petite suite, L. 65: I. En bateau" by Claude Debussy, Philip Chiu is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Voyages by Philip Chiu. The song's track number on the album is #1 out of 13 tracks. Based on our data, Canada was the country where this track was produced or recorded. Based on our statistics, Petite suite, L. 65: I. En bateau's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Petite suite, L. 65: I. En bateau by Claude Debussy, Philip Chiu has a tempo of 134 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Petite suite, L. 65: I. En bateau being at 134 BPM, the half-time would be 67 BPM with a double-time of 268 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fancy Free: III. Twilight | William Alwyn, Ashley Wass | E Major | 1 | 12B | 133 BPM | ||
24 Preludes, Op. 37, BV 181: No. 1 in C Major | Ferruccio Busoni, Holger Groschopp | C Major | 0 | 8B | 72 BPM | ||
雨の日のふんすい | William Gillock, Yuko Mifune | F Minor | 2 | 4A | 85 BPM | ||
Piano Sonata No. 1: III. Adagio molto appasionata | Máire Carroll | D♭ Major | 4 | 3B | 165 BPM | ||
Symphonic Etudes, Op. 13: Theme. Andante | Robert Schumann, Marc-André Hamelin | D♭ Major | 1 | 3B | 74 BPM | ||
Nocturne In A Flat Major, Op 62 No 3 | A Nanut | A♭ Major | 0 | 4B | 69 BPM | ||
Davidsbündlertänze. Op. 6: No. 2, Innig | Robert Schumann, Llŷr Williams | B♭ Major | 1 | 6B | 74 BPM | ||
Le ruban dénoué. Douze valses à deux pianos: No. 1, Decrets indolents du hazard | Reynaldo Hahn, Martin Jones, Adrian Farmer | F♯ Minor | 0 | 11A | 111 BPM | ||
Melody (Version for 2 Pianos) | Myroslav Skoryk, Myroslaw Skoryk, Roman Fediurko, Oleksandr Fediurko | E Major | 2 | 12B | 178 BPM | ||
Valse-caprice No. 3 in G-Flat Major, Op. 59 | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM |
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