"Tarantella sincera" by Vincenzo de Crescenzo, Joseph Schmidt, Felix Gunther Orchestra, Felix Gunther was released on March 1, 2010. The duration of Tarantella sincera is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Tarantella sincera's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Schmidt, Otto Dobrindt, Felix Gunther, Clemens Schmalstich, Emil Kaiser's "Joseph Schmidt, Vol. 3: Famous Tenor Hits, Canzoni (1930-1937)" album is number 6 out of 16. On top of that, Germany appears to be the country where this track was created. The popularity of Tarantella sincera is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tarantella sincera by Vincenzo de Crescenzo, Joseph Schmidt, Felix Gunther Orchestra, Felix Gunther to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Samson et Dalila, Op. 47, Act II: Mon coeur s'ouvre a ta voix | Camille Saint-Saëns, Lauris Elms, Geoffrey Arnold, West Australian Symphony Orchestra | F♯ Major | 1 | 2B | 81 BPM | ||
Premiere caresse | Vincenzo de Crescenzo, Enrico Caruso, Victor Orchestra, Josef Pasternack | G Major | 2 | 9B | 75 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Zadok The Priest (Coronation Anthem for George II ed. Basil Lam) - 1994 Remaster | George Frideric Handel, Ambrosian Singers, Menuhin Festival Orchestra, Yehudi Menuhin | D Major | 2 | 10B | 88 BPM | ||
Rachel, quand du Seigneur (La Juive) | Richard Tucker, The Columbia Opera Orchestra | F Minor | 2 | 4A | 92 BPM | ||
Première caresse | Vincenzo de Crescenzo, Enrico Caruso, Josef Pasternack | G Major | 2 | 9B | 84 BPM | ||
She | Rolando Villazón, Ian Stephenson, The City of Prague Philharmonic Orchestra, Nicholas Dodd, Simon Franglen, Steven Baker | D Major | 3 | 10B | 82 BPM | ||
Notte d'amore | Vincenzo de Crescenzo, Beniamino Gigli, Artist Unknown, Lawrance Collingwood | F♯ Minor | 1 | 11A | 70 BPM | ||
Puccini's Manon Lescaut - Donna Non Vidi Mai | Carlo Bergonzi | B♭ Major | 3 | 6B | 116 BPM | ||
"Depuis le jour" | Gustave Charpentier, Anna Netrebko | G Major | 1 | 9B | 87 BPM |
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