"Thaïs / Acte Deux: Divertissement: 4. Allegretto con spirito" by Jules Massenet, Orchestre National Bordeaux Aquitaine, Yves Abel was released on July 7, 2000. The duration of Thaïs / Acte Deux: Divertissement: 4. Allegretto con spirito is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Thaïs / Acte Deux: Divertissement: 4. Allegretto con spirito's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jules Massenet, Renée Fleming, Thomas Hampson, Choeur de l'Opéra de Bordeaux, Orchestre National Bordeaux Aquitaine, Yves Abel's "Massenet: Thaïs" album is number 8 out of 50. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Thaïs / Acte Deux: Divertissement: 4. Allegretto con spirito is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Thaïs / Acte Deux: Divertissement: 4. Allegretto con spirito by Jules Massenet, Orchestre National Bordeaux Aquitaine, Yves Abel to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | ||
Orpheus' Klage (Orfeo ed Euridice) | Christoph Willibald Gluck, Wilhelm Kempff, Matti Raekallio | D Minor | 0 | 7A | 69 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Quintet in A Major for Clarinet and Strings, K. 581: II. Larghetto | Endres Quartet, Jost Michaels | D Major | 0 | 10B | 74 BPM | ||
Stille Musik: 3. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Suite d'orchestre dans le style ancien, Op. 2: II. Sarabande. Mesto | Albéric Magnard, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 116 BPM |
Section: 0.8410234451293945
End: 0.8453497886657715