"Manon Lescaut, Act 1: Tra Voi, Belle, Brune e Bionde" by Jussi Björling was released on March 3, 1931. With Manon Lescaut, Act 1: Tra Voi, Belle, Brune e Bionde being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #77. Furthermore, we believe that the track originated from Germany. Manon Lescaut, Act 1: Tra Voi, Belle, Brune e Bionde is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon Lescaut, Act 1: Tra Voi, Belle, Brune e Bionde by Jussi Björling having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Au Fond Du Temple Saint (Les Pècheurs de Perles) | Jussi Björling, RCA Victor Orchestra, Robert Merrill | E♭ Major | 4 | 5B | 93 BPM | ||
Allegro Assai (Nr 1), ur Drottningholmsmusiken | Drottningholmsteaterns Kammarorkester/Ulf Björlin | D Major | 4 | 10B | 110 BPM | ||
2 Swedish Folk-Melodies, Op. 27: II. Du gamla, du friska, du fjellhoga nord (Swedish National Anthem) | Johan Svendsen, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 1 | 10B | 138 BPM | ||
La Sonnambula / Act 2: Ah! non credea mirarti si presto estinto, o fiore | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Orchestra La Scintilla, Alessandro De Marchi | C Major | 0 | 8B | 176 BPM | ||
Caro mio ben (Arr. Marriner) | Tomasso Giordani, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 96 BPM | ||
Die Zauberflote (The Magic Flute), K. 620, Act I: Arie: Dies Bildnis ist bezaubernd schon (Sung in Swedish) | Wolfgang Amadeus Mozart, Jussi Björling, Bertil Bokstedt | F♯ Major | 9 | 2B | 89 BPM | ||
Forkladd gud, Op. 24: Bjuder ett manskooga till stilla karleksfest oss | Lars-Erik Larsson, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg | D Minor | 0 | 7A | 176 BPM | ||
Pagliacci: Act I: E allor perche, di', tu m'hai stregato (Silvio, Nedda) | Ruggero Leoncavallo, Victoria de los Ángeles, Jussi Björling, George Cehanovsky, Paul Franke, Leonard Warren, Richard Wright, Robert Merrill, Columbus Boychoir, Robert Shaw Chorale, RCA Victor Orchestra, Renato Cellini | D♭ Major | 2 | 3B | 86 BPM | ||
Die Fledermaus / Act I: Nr. 4 Terzett: "So muss allein ich bleiben" | Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 131 BPM | ||
Utskärgård | Swedish Radio Symphony Orchestra | F Minor | 3 | 4A | 183 BPM |
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