"Praise to God in the Highest" by Sidney Campbell, St Edmundsbury Cathedral Choir, Scott Farrell, Mervyn Cousins was released on September 17, 1994. The duration of Praise to God in the Highest is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Praise to God in the Highest's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 18 in Choral Evensong for the Feast of Edmund, King & Martyr by St Edmundsbury Cathedral Choir, Scott Farrell, Mervyn Cousins. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Praise to God in the Highest is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Praise to God in the Highest by Sidney Campbell, St Edmundsbury Cathedral Choir, Scott Farrell, Mervyn Cousins is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
His Arrival | Five Creates | A♭ Major | 0 | 4B | 106 BPM | ||
I Am the Door | Gloria Thorne, Tapestry Chamber Singers | F♯ Major | 1 | 2B | 87 BPM | ||
Missa Ecce quam bonum: Osanna II | Jacob Clemens non Papa, The Brabant Ensemble, Stephen Rice | B♭ Minor | 1 | 3A | 95 BPM | ||
Angels We Have Heard on High | Edward Atkinson, the Saint Ambrose Schola Cantorum | C Major | 3 | 8B | 112 BPM | ||
The Crucifixion: Processional to Calvary (Tenor, Chorus) | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | C Major | 1 | 8B | 79 BPM | ||
Lord, Grant Me Mercy | Choir of the New Apostolic Church, Cape Town | D Major | 1 | 10B | 129 BPM | ||
Elijah, Op. 70: "Holy, Holy, Holy Is God the Lord" (Quartet & Chorus) | Felix Mendelssohn, Gabrieli, Emily Rowley Jones, Lucy Ballard, Ruth Gibbins, Samuel Boden, William Whitehead, Paul McCreesh | C Major | 1 | 8B | 140 BPM | ||
Lille Almanak – Little Almanac 3 | Finn Mathiassen, Harald Herdal, Jens Peter Jacobsen, Musikstuderendes Kammerkor | G Minor | 0 | 6A | 75 BPM | ||
Gaudeamus for Organ | Sidney Campbell, John Porter | D Major | 1 | 10B | 94 BPM | ||
Goodbye Comming | Sidney Campbell | D Major | 5 | 10B | 92 BPM |
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