Titta Ruffo made "La Gioconda, Titta Ruffo: Act II -" Pescatore affonda l'esca.. barcarola"" available on November 30, 2010. The duration of La Gioconda, Titta Ruffo: Act II -" Pescatore affonda l'esca.. barcarola" is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. La Gioconda, Titta Ruffo: Act II -" Pescatore affonda l'esca.. barcarola"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Opera for ever new additions". In this album, this song's track order is #12. Based on our statistics, La Gioconda, Titta Ruffo: Act II -" Pescatore affonda l'esca.. barcarola"'s popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With La Gioconda, Titta Ruffo: Act II -" Pescatore affonda l'esca.. barcarola" by Titta Ruffo having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hamlet: Spettro Infernale | Ambroise Thomas, Titta Ruffo | D Minor | 1 | 7A | 133 BPM | ||
Eri tu che macchiavi (Un Ballo in Maschera) | Titta Ruffo | F Major | 2 | 7B | 126 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "La pietade in suo favore" (Enrico, Raimondo, Chorus) | Gaetano Donizetti, Tito Gobbi, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Les Pêcheurs de perles: Act III: L'orage s'est calmé...O Nadir (Zurga) | Georges Bizet, Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | D Major | 1 | 10B | 92 BPM | ||
La Tempestad, Acto I: La Lluvia Ha Cesado (Monólogo de Simón) - Remastered | Ruperto Chapí, Miguel Ramos Carrión, Manuel Ausensi, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid | C Major | 0 | 8B | 70 BPM | ||
Cherubini: Medea, Act 1: "Taci, Giason" (Medea, Giasone) | Luigi Cherubini, Maria Callas, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Minor | 0 | 7A | 93 BPM | ||
El Guitarrico: "Jota de Perico" - Remastered | Agustin Perez Soriano, Miguel Fleta, Gelabert | A Major | 2 | 11B | 171 BPM | ||
La Boheme, dritter Akt: Sa dirmi, scusi | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Duetto. "Viens souper avec nous" (Gaillardin, Duparquet) | Johann Strauss II, Franck Pourcel, Jean Christophe Benoit, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Il Pirata, Act II: Io... sì... lo rinverrò | Vincenzo Bellini, Felice Romani, Franco Vassallo, Marina Rebeka, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM |
Section: 0.7698264122009277
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