"Symphony No. 6 In C Major, D. 589: III. Scherzo" by Franz Schubert, Klassische Philharmonie Bonn, Heribert Beissel was released on January 1, 2009. Since Symphony No. 6 In C Major, D. 589: III. Scherzo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Schubert: Symphonies 5-8". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Symphony No. 6 In C Major, D. 589: III. Scherzo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 6 In C Major, D. 589: III. Scherzo by Franz Schubert, Klassische Philharmonie Bonn, Heribert Beissel having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Quartettsatz C Minor, D703: Allegro assai | Franz Schubert, Salvatore Accardo, Margaret Batjer, Toby Hoffman, Rocco Filippini, Quartetto Accardo | A♭ Major | 1 | 4B | 101 BPM | ||
Wiener Blut, Op. 354 | Johann Strauss II, Vienna Volksoper Orchestra, Franz Bauer-Theussl | D Major | 2 | 10B | 93 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Overture in C Major in Italian Style, Op. 170, D. 591 | Franz Schubert, Stockholm Sinfonietta, Neeme Järvi | C Major | 0 | 8B | 82 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM |
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