Dagmar Papula, Hespèrion XXI made "Musik: Dios te salve, Cruz (Instrumental - C. M. Palacio No. 434)" available on 2012. The duration of Musik: Dios te salve, Cruz (Instrumental - C. M. Palacio No. 434) is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Musik: Dios te salve, Cruz (Instrumental - C. M. Palacio No. 434)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 36 out of 91 in Erasmus - Lob der Torheit (Deutsch Version) by La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall. Musik: Dios te salve, Cruz (Instrumental - C. M. Palacio No. 434) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Musik: Dios te salve, Cruz (Instrumental - C. M. Palacio No. 434) by Dagmar Papula, Hespèrion XXI is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wånn die Åbendsunn | Kärntner Viergesang | A♭ Major | 1 | 4B | 110 BPM | ||
Peer Gynt Suite No. 2, Op. 55: Solveigs sang (Arr. for Countertenor & String Quartet by Eric Mouret) | Edvard Grieg, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
Dominus illuminatio mea: Sinfonia | Franz Tunder, Peter Barany, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A Minor | 0 | 8A | 79 BPM | ||
Bourrée / Rigaudon Rondeau. Air des paysans et des pastres | Jean-Baptiste Lully, Gaultier de Marseille, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Télémaque & Calypso, Prologue Scene 1: Descendez, régnez sur la terre (Les vertus, les muses et les arts) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Les Chantres du Centre de Musique Baroque de Versailles | F Minor | 3 | 4A | 85 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Récit & Chœur. Célébrons le Printemps (un Berger, chœur) | Jean-Joseph Cassanéa De Mondonville, Mathias Vidal, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko, Chœur De Chambre De Namur | F Minor | 4 | 4A | 141 BPM | ||
Dances: Muy Linda | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | G Minor | 1 | 6A | 118 BPM | ||
Cancionero musical de palacio: No. 20, Allá se me ponga el sol | Juan Ponce, Música Temprana, Adrian Rodriguez van der Spoel | D Minor | 0 | 7A | 82 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: I. Prélude | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | F Minor | 0 | 4A | 101 BPM | ||
Te deum, LWV 55: II. Pleni sunt coeli et terra | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM |
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