Fermin Maria Alvarez, Enrico Caruso, Gaetano Scognamiglio's 'La Partida' came out on 1990. With this song being about 5 minutes long, at 4:35, "La Partida" by Fermin Maria Alvarez, Enrico Caruso, Gaetano Scognamiglio is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. La Partida is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Partida by Fermin Maria Alvarez, Enrico Caruso, Gaetano Scognamiglio is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Letzte Lieder, TrV 296: No. 3, Beim Schlafengehen | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Lakmé / Act 1: Prendre le dessin d'un bijou... Fantaisie aux divins | Léo Delibes, Alain Vanzo, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | A♭ Major | 1 | 4B | 89 BPM | ||
Pagliacci / Act 1: "Nedda! Silvio!...E allor perché" | Ruggero Leoncavallo, Lorenzo Saccomani, Mirella Freni, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | D♭ Major | 2 | 3B | 68 BPM | ||
Mefistofele: Epilogue - Ave Signor - Odi il canto d'amor | Arrigo Boito, Riccardo Muti | E Major | 4 | 12B | 139 BPM | ||
La Sonnambula / Act 2: Ah! non giunge uman pensiero | Vincenzo Bellini, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D Major | 1 | 10B | 100 BPM | ||
Andrea Chénier, Act IV: Come un bel dì di maggio | Umberto Giordano, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F♯ Minor | 2 | 11A | 82 BPM | ||
Verdi: Nabucco, Act 3: Coro di schiavi ebrei. "Va pensiero, sull'ali dorate" (Excerpt) | Giuseppe Verdi, Riccardo Muti, Ambrosian Opera Chorus, Philharmonia Orchestra | B Major | 4 | 1B | 63 BPM | ||
La Gioconda: Act III Scene 5: O madre mia, nell'isola fatale (Gioconda) | Amilcare Ponchielli, Andrea Gruber, Marco Berti, Alberto Mastromarino, Carlo Colombara, Ildiko Komlosi, Elisabetta Fiorillo, Francesco Palmieri, Graziano Polidori, Mauro Buffoli, Giovanni Bellavia, Dario Benini, Alessandro Calamai, Coro Dell'Arena Di Verona, Arena of Verona Orchestra, Donato Renzetti | F Major | 2 | 7B | 128 BPM | ||
Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
La Verbena de la Paloma, Act I: Rita y Julián (Rita, Julián, Guardia 1, Guardia 2, Casta, Susana, Antonia, Hilarión) | Tomás Bretón, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | C Major | 2 | 8B | 96 BPM |
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