"Myths for Violin and Piano, Op. 30: II. The spring of arethusa" by Heide Gortz, Magdalena Rezler was released on February 14, 2012. With this song being about 5 minutes long, at 5:10, "Myths for Violin and Piano, Op. 30: II. The spring of arethusa" by Heide Gortz, Magdalena Rezler is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Karol Szymanowski's "Impressionist Masterminds" album is number 47 out of 50. In terms of popularity, Myths for Violin and Piano, Op. 30: II. The spring of arethusa is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Myths for Violin and Piano, Op. 30: II. The spring of arethusa by Heide Gortz, Magdalena Rezler to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: 12 Klavierstücke für kleine und große Kinder, Op. 85: No. 12, Abendlied | Robert Schumann, Pierre Fournier, Gerald Moore | B♭ Major | 1 | 6B | 83 BPM | ||
Piano Trio No. 1 in B Minor, Op. 8: III. Adagio | Johannes Brahms, Trio Sōra | B Major | 0 | 1B | 79 BPM | ||
Concerto for Cello and Wind Orchestra: II. Romance | Jacques Ibert, Ernst Simon Glaser, Norwegian Navy Band Bergen, Peter Szilvay | A Minor | 0 | 8A | 82 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Stages. Variation VIII | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 0 | 3B | 95 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: I. Allegro moderato | Frédéric Chopin, Paul Tortelier, Aldo Ciccolini | C Major | 2 | 8B | 75 BPM | ||
Piano Trio in D Minor, Op. 120: III. Allegro vivo | Gabriel Fauré, Florestan Trio | G Major | 1 | 9B | 97 BPM | ||
Here's One (Arr. Kaufman for Violin and Piano) | William Grant Still, Randall Goosby, Zhu Wang | D♭ Minor | 1 | 12A | 84 BPM | ||
Romantic Pieces, Op.75, Allegro appassionato | アントニーン・ドヴォルザーク, KIM NAYOUNG | B♭ Major | 2 | 6B | 138 BPM | ||
String Quartet No. 2 in A Minor, Op. 35: II. Variation 2: Allegro non troppo | Anton Arensky, Ying Quartet | E Minor | 2 | 9A | 99 BPM | ||
Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation IV: L'istesso tempo (Allegro moderato) | Pyotr Ilyich Tchaikovsky, Geneva Piano Trio | D♭ Minor | 0 | 12A | 99 BPM |
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