On January 1, 2000, the song "Duet No. 4 for 2 Flutes in F Major, Fk. 57 (arr. for flute and oboe): III. Presto" was released by Wilhelm Friedemann Bach, Anonymous, Janice Tipton, Allan Vogel. The duration of Duet No. 4 for 2 Flutes in F Major, Fk. 57 (arr. for flute and oboe): III. Presto is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Duet No. 4 for 2 Flutes in F Major, Fk. 57 (arr. for flute and oboe): III. Presto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Saint-Saens, C.: Oboe Sonata in D Major / Poulenc, F.: Oboe Sonata / Britten, B.: 6 Metamorphoses After Ovid / Schumann, R.: 3 Romanzen". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. Duet No. 4 for 2 Flutes in F Major, Fk. 57 (arr. for flute and oboe): III. Presto is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Duet No. 4 for 2 Flutes in F Major, Fk. 57 (arr. for flute and oboe): III. Presto by Wilhelm Friedemann Bach, Anonymous, Janice Tipton, Allan Vogel having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Cello Concerto in B-Flat Major, G. 482: I. Allegro moderato | Luigi Boccherini, Raphael Wallfisch, Northern Chamber Orchestra, Nicholas Ward | B♭ Major | 1 | 6B | 125 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 120 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM | ||
Keyboard Concertino in C Major, Hob.XIV:11: I. Vivace | Joseph Haydn, Sebastian Knauer, Cologne Chamber Orchestra, Helmut Muller-Bruhl | E Major | 1 | 12B | 131 BPM | ||
Sinfonia a otto, ZWV 189: II. Andante | Jan Dismas Zelenka, Dresdner Kapellsolisten, Helmut Branny | F Major | 2 | 7B | 45 BPM | ||
Pièces de viole, Livre II No. 40: La polonaise | Marin Marais, Vittorio Ghielmi, Luca Pianca | F Major | 5 | 7B | 107 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Minuet No. 2 in G Minor (Formerly Attrib. J.S. Bach as BWV Anh. 115) | Lang Lang | G Minor | 1 | 6A | 109 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 2 | 6A | 115 BPM |
Section: 0.6193299293518066
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