"La favorite, A. 58, Act II Scene 1: Jardins de l'alcazar, délices des rois Maures" by Gaetano Donizetti, Florian Sempey, Edoardo Milletti, Donizetti Opera Orchestra, Riccardo Frizza was released on April 12, 2024. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 47 in Donizetti: La favorite, A. 58 by Gaetano Donizetti, Annalisa Stroppa, Javier Camarena, Florian Sempey, Evgeny Stavinsky, Edoardo Milletti, Caterina Di Tonno, Donizetti Opera Orchestra, Riccardo Frizza. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. La favorite, A. 58, Act II Scene 1: Jardins de l'alcazar, délices des rois Maures is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La favorite, A. 58, Act II Scene 1: Jardins de l'alcazar, délices des rois Maures by Gaetano Donizetti, Florian Sempey, Edoardo Milletti, Donizetti Opera Orchestra, Riccardo Frizza is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Andrea Bocelli, Moscow Radio Symphony Orchestra, Vladimir Fedoseyev | B♭ Minor | 1 | 3A | 83 BPM | ||
Lungi dal caro bene | Giuseppe Sarti, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | A♭ Major | 1 | 4B | 96 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
Carmen, Act II: No.12 Chanson Bohème : Les tringles des sistres tintaient avec un éclat métallique (Carmen/Frasquita/Mercédès) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 137 BPM | ||
Don Pasquale: Act III: Cheti cheti immantinente | Gaetano Donizetti, Roberto Abbado | B♭ Major | 1 | 6B | 135 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM |
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