"Mozart: Piano Sonata No. 11 in A Major, K. 331 "Alla turca": I. (c) Variation II" by Wolfgang Amadeus Mozart, YUNDI was released on April 5, 2024. With Mozart: Piano Sonata No. 11 in A Major, K. 331 "Alla turca": I. (c) Variation II being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, YUNDI's "Mozart: The Sonata Project - Salzburg" album is number 3 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Mozart: Piano Sonata No. 11 in A Major, K. 331 "Alla turca": I. (c) Variation II is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Piano Sonata No. 11 in A Major, K. 331 "Alla turca": I. (c) Variation II by Wolfgang Amadeus Mozart, YUNDI to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in B Minor, Kk. 498 | Domenico Scarlatti, Alon Goldstein | D Minor | 1 | 7A | 83 BPM | ||
6 Pieces, Op. 51: Valse Sentimentale, Op. 51, No. 6 | Pyotr Ilyich Tchaikovsky, Juan Francisco Otón | F Minor | 0 | 4A | 69 BPM | ||
Etude, Op. 18 No. 3 | Moritz Moszkowski, Manuel del Corral | A♭ Major | 0 | 4B | 73 BPM | ||
Sonate Brillante C-Moll: II. Scherzo. Vivace Ma Non Troppo | Delphine von Schauroth, Arcadie Triboi | F Major | 0 | 7B | 68 BPM | ||
Suite No. 2 in G Minor: IV. Giga | Domenico Zipoli, Giovanni Nesi | G Minor | 1 | 6A | 172 BPM | ||
Arioso with 9 Variations in C Major, H. 259: Var. 3 | Carl Philipp Emanuel Bach, Marc-André Hamelin | F♯ Minor | 0 | 11A | 69 BPM | ||
Suite No. 4 in D Minor: III. Gavotta | Domenico Zipoli, Giovanni Nesi | F Major | 2 | 7B | 113 BPM | ||
Mekta' in the Art of Kita, Book 3: Sayera (Egypt) | Halim El-Dabh, Joel Fan | D Minor | 1 | 7A | 137 BPM | ||
Pièces de clavecin, Livre II, Ordre 8: VI. Gavotte | François Couperin, Angela Hewitt | B Minor | 0 | 10A | 125 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 Sonata facile - III. Rondo. Allegretto | Wolfgang Amadeus Mozart, Judith Cohen | C Major | 0 | 8B | 98 BPM |
Section: 1.0742213726043701
End: 1.0789356231689453