"There's a Hole in the Midnight" by Chip Taylor, Carrie Rodriguez was released on 2002. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Chip Taylor, Carrie Rodriguez's "Let's Leave This Town" album is number 4 out of 12. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, There's a Hole in the Midnight's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of There's a Hole in the Midnight by Chip Taylor, Carrie Rodriguez to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I'm Done | Abe Partridge, Jack Barksdale | D♭ Minor | 3 | 12A | 127 BPM | ||
Old Shoes | Tom Waits | F♯ Major | 2 | 2B | 118 BPM | ||
American Flowers | Birds of Chicago, Allison Russell, JT Nero | F♯ Major | 1 | 2B | 141 BPM | ||
Trouble and Woe | Ruth Moody | E Major | 3 | 12B | 97 BPM | ||
Forever Has Come To An End | Buddy & Julie Miller | E Major | 3 | 12B | 145 BPM | ||
Come What May | Colvin & Earle | A Major | 7 | 11B | 126 BPM | ||
When You Were Mine | Reina del Cid | C Major | 3 | 8B | 124 BPM | ||
Tonight Will Be Fine | Teddy Thompson | F♯ Major | 4 | 2B | 84 BPM | ||
To Ramona | Sinéad Lohan | G Major | 3 | 9B | 158 BPM | ||
No Not Me | Pieta Brown | D Major | 4 | 10B | 79 BPM |
Section: 0.5483074188232422
End: 0.5528213977813721