"Albumblätter, Op. 124: No. 6, Wiegenliedchen" by Robert Schumann, Lily Laskine was released on February 17, 2023. With Albumblätter, Op. 124: No. 6, Wiegenliedchen being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 121 in the song's album "Opus - Schumann". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. The popularity of Albumblätter, Op. 124: No. 6, Wiegenliedchen is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Albumblätter, Op. 124: No. 6, Wiegenliedchen by Robert Schumann, Lily Laskine having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Piano Sonata No. 30 in E Major, Op. 109: III. Andante molto cantabile ed espressivo (Elaborations by See Siang Wong) | Ludwig van Beethoven, See Siang Wong | E Major | 0 | 12B | 72 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Don Juan: Gavotte (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | E♭ Major | 0 | 5B | 77 BPM | ||
Postcard To A Critic | Elena Kats-Chernin, Tamara Anna Cislowska | G Minor | 0 | 6A | 142 BPM | ||
Moments of Poetry and Music: No. 2, Melody, Post scriptum | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | B Major | 0 | 1B | 77 BPM | ||
Baroque Voyage | Matteo Myderwyk | B♭ Minor | 3 | 3A | 143 BPM | ||
Poèmes "Le rossignol éperdu" (Excerpts): No. 26, Mirage | Reynaldo Hahn, Sofja Gülbadamova | F♯ Major | 0 | 2B | 68 BPM | ||
Gypsy Songs, Op. 55, B. 104: No. 4, Songs My Mother Taught Me (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | A Minor | 0 | 8A | 108 BPM |
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