"20 poèmes de Jean Richepin, Op. 44: No. 3, Les petiots" by César Cui, Les Lunaisiens, Chœur de femmes audomaria de Saint-Omer, Adélaïde Stroesser, Arnaud Marzorati was released on November 11, 2022. The duration of 20 poèmes de Jean Richepin, Op. 44: No. 3, Les petiots is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. 20 poèmes de Jean Richepin, Op. 44: No. 3, Les petiots's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Les Lunaisiens, Arnaud Marzorati, Stéphanie D'Oustrac's "Merd'v'là l'hiver: Complaintes des gens de rue" album is number 13 out of 16. On top of that, Belgium appears to be the country where this track was created. 20 poèmes de Jean Richepin, Op. 44: No. 3, Les petiots is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 20 poèmes de Jean Richepin, Op. 44: No. 3, Les petiots by César Cui, Les Lunaisiens, Chœur de femmes audomaria de Saint-Omer, Adélaïde Stroesser, Arnaud Marzorati to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mary's song: There was a time Op.55 No.2 | César Cui, Boris Christoff | D Minor | 1 | 7A | 112 BPM | ||
25 Preludes, Op. 64: No. 12 in E-Flat Minor: Allegretto | César Cui, Jeffrey Biegel | B♭ Minor | 0 | 3A | 70 BPM | ||
Poulenc: Piano Concerto in C-Sharp Minor, FP 146: II. Andante con moto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 0 | 5B | 175 BPM | ||
Suite in the Old Style: II. Ballet | Alfred Schnittke, Daniel Hope, Alexey Botvinov | D Major | 3 | 10B | 117 BPM | ||
Rondo Capriccioso In e Minor Opus 14 | Felix Mendelssohn, Bertrand Chamayou | E Major | 1 | 12B | 182 BPM | ||
Tailleferre: Valse lente | Germaine Tailleferre, Alexandre Tharaud | D Major | 0 | 10B | 60 BPM | ||
Havanaise, Op. 83 | Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa | E Major | 2 | 12B | 76 BPM | ||
2 Pieces for the Left Hand, Op. 9: No. 1. Prelude in C-Sharp Minor | Alexander Scriabin, Maria Lettberg | G Major | 3 | 9B | 141 BPM | ||
Schubert: Piano Sonata No. 20 in A Major, D. 959: II. Andantino | Franz Schubert, Eric Lu | F♯ Minor | 0 | 11A | 66 BPM | ||
Ravel: Le Tombeau de Couperin, M. 68: I. Prélude | Maurice Ravel, Bertrand Chamayou | E Minor | 1 | 9A | 89 BPM |
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