Robert Woodcock, Ensemble Odyssee made "Recorder Concerto No. 2 in A Major: II. Adagio" available on May 18, 2018. The duration of Recorder Concerto No. 2 in A Major: II. Adagio is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Recorder Concerto No. 2 in A Major: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Woodcock: Concertos for Recorder & Oboe by Ensemble Odyssee. The song's track number on the album is #24 out of 30 tracks. Based on our data, Switzerland was the country where this track was produced or recorded. Recorder Concerto No. 2 in A Major: II. Adagio is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Recorder Concerto No. 2 in A Major: II. Adagio by Robert Woodcock, Ensemble Odyssee has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Recorder Concerto No. 2 in A Major: II. Adagio being at 68 BPM, the half-time would be 34 BPM with a double-time of 136 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in E flat Major for Oboe and Strings: Largo - Allegro - Largo - Allegro | Robert Woodcock, Thames Chamber Orchestra London, Neil Black, Michael Dobson | E♭ Major | 1 | 5B | 107 BPM | ||
Violin Concerto in D Major, Op. 3, No. 5: II. Largo | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | B Minor | 1 | 10A | 100 BPM | ||
Flute Sonata in G Major, Wq. 127, H. 554: II. Allegro | Carl Philipp Emanuel Bach, Eckart Haupt, Siegfried Pank, Armin Thalheim | G Major | 2 | 9B | 103 BPM | ||
Airs for the Summer: Heliotrope: I. Siciliana: Affettuoso | James Oswald, The Broadside Band | D Major | 2 | 10B | 77 BPM | ||
Concerto Il Proteo ò il Mondo al Roverscio for violin, cello, 2 flutes, 2 oboes, harpsichord, strings & continuo in F Major, RV 572: I. Allegro | Antonio Vivaldi, La Serenissima, Adrian Chandler | F Major | 4 | 7B | 111 BPM | ||
Concerto No. 1 in E-Flat Major for Trumpet, Strings and B.C.: III. Vivace | Johann Wilhelm Hertel, Andre Schoch, Stuttgart Chamber Orchestra | B♭ Major | 2 | 6B | 145 BPM | ||
Oboe Concerto in B-Flat Major, Op. 7 No. 3: I. Allegro | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | B♭ Major | 4 | 6B | 99 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: III. Allégresse. Vite - Meno mosso | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Minor | 2 | 11A | 113 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Air gracieux pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 0 | 1A | 133 BPM | ||
Concerto e fur Blockflote, Traversflote, Streicher und Generalbass: Menuett 1/2 | Cologne Chamber Orchestra | F Major | 1 | 7B | 131 BPM |
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