Johann Sebastian Bach, Trio SR9, Paul Changarnier, Nicolas Cousin, Alexandre Esperet made "6 French Suites, No. 5 in G Major, BWV 816: VII. Gigue - Transcr. for Three Marimbas" available on March 16, 2018. The duration of 6 French Suites, No. 5 in G Major, BWV 816: VII. Gigue - Transcr. for Three Marimbas is about 3 minutes long, at 3:14. Based on our data, "6 French Suites, No. 5 in G Major, BWV 816: VII. Gigue - Transcr. for Three Marimbas" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 20 in Alors, on danse ? (Transcr. for Three Marimbas) by Trio SR9, Paul Changarnier, Nicolas Cousin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, 6 French Suites, No. 5 in G Major, BWV 816: VII. Gigue - Transcr. for Three Marimbas is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 6 French Suites, No. 5 in G Major, BWV 816: VII. Gigue - Transcr. for Three Marimbas by Johann Sebastian Bach, Trio SR9, Paul Changarnier, Nicolas Cousin, Alexandre Esperet is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 6 in G Minor, Op. 15, No. 3 | Frédéric Chopin, Maria João Pires | F Minor | 1 | 4A | 76 BPM | ||
Kinderszenen, Op.15: 13. Der Dichter spricht | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 169 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: II. Allemande | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 137 BPM | ||
Cello Suite No. 3 in C Major, BWV 1009: V. Bourrées I & II | Johann Sebastian Bach, Yo-Yo Ma | C Major | 1 | 8B | 84 BPM | ||
Violin Concerto in E Major, BWV 1042: I. Allegro | Arthur Grumiaux, Zurich Chamber Orchestra, Johann Sebastian Bach, Edmond De Stoutz | E Major | 2 | 12B | 183 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Prelude No. 3 "Nina's Convention" | Johann Sebastian Bach, John Lewis | C Major | 1 | 8B | 93 BPM | ||
Partita No. 4 in D Major, BWV 828: II. Allemande | Johann Sebastian Bach, KaJeng Wong | D Major | 0 | 10B | 62 BPM | ||
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM |
Section: 0.7525718212127686
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