Yuko Nagisa's '二人の大阪' had a release date set for December 1, 1970. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 京都の恋, so we believe that "二人の大阪" is a single. In terms of popularity, 二人の大阪 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 二人の大阪 by Yuko Nagisa is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Koibitotachi ga Iru Hodo | Shizue Abe | B♭ Minor | 3 | 3A | 77 BPM | ||
氷雨 | Shinichiro Hakozaki | E Minor | 5 | 9A | 83 BPM | ||
夕月 | Jun Mayuzumi | F Minor | 4 | 4A | 175 BPM | ||
別れの彼方(かなた) | 増位山太志郎 | B Minor | 5 | 10A | 170 BPM | ||
途中下車 | Kenji Niinuma | D♭ Minor | 5 | 12A | 146 BPM | ||
メランコリー | Michiyo Azusa | E♭ Minor | 5 | 2A | 136 BPM | ||
なのにあなたは京都へゆくの | Yuko Nagisa | F Minor | 5 | 4A | 123 BPM | ||
夜の銀狐 | 和田弘とマヒナスターズ | A Minor | 3 | 8A | 74 BPM | ||
愛の奇蹟 | Jun Mayuzumi | F Minor | 3 | 4A | 88 BPM | ||
かくれ宿 | 増位山太志郎 | A Minor | 4 | 8A | 142 BPM |