"Variations on a Theme of Corelli, Op.42: Variations on a Theme of Corelli, Op.42: Variation 8. Adagio misterioso" by Sergei Rachmaninoff, Kathryn Stott was released on October 30, 2015. With Variations on a Theme of Corelli, Op.42: Variations on a Theme of Corelli, Op.42: Variation 8. Adagio misterioso being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Kathryn Stott's "Kathryn Stott: The Complete Solo Recordings" album is number 17 out of 121. On top of that, United Kingdom appears to be the country where this track was created. Variations on a Theme of Corelli, Op.42: Variations on a Theme of Corelli, Op.42: Variation 8. Adagio misterioso is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Variations on a Theme of Corelli, Op.42: Variations on a Theme of Corelli, Op.42: Variation 8. Adagio misterioso by Sergei Rachmaninoff, Kathryn Stott to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Waltzes, Op. 221: No. 2, Venus Valse, Boston-Valse | Marco Enrico Bossi, Gottlieb Wallisch | B♭ Major | 2 | 6B | 138 BPM | ||
Fruhling. Op. 57.: No. 3, Blumenstuck - Duo-Art 66448 | Moritz Moszkowski, Rudolph Reuter, Peter Phillips | E Major | 1 | 12B | 85 BPM | ||
Stimmungsbilder Op. 9, TrV 128: II. An einsamer Quelle | Richard Strauss, Guillaume Bellom | F Minor | 1 | 4A | 64 BPM | ||
Sonata in G Minor: I. Allegro | Anna Lipiak | D Minor | 2 | 7A | 147 BPM | ||
48 Esquisses, Op. 63, Book 4: No. 43, Notturnino – Innamorato | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
ゴンドラの舟頭歌(ブルグミュラー18の練習曲) | クラウス・ヘルヴィッヒ | A♭ Minor | 0 | 1A | 83 BPM | ||
Pièces froides, Airs à faire fuir: No. 1, D'une manière très particulière | Erik Satie, Alessandro Simonetto | F Major | 0 | 7B | 67 BPM | ||
Improvisation on Mozart's Symphony No. 40 | Tarmo Peltokoski | B♭ Minor | 1 | 3A | 137 BPM | ||
Carnaval, Op. 9: XVIII. Aveu. Passionato | Robert Schumann, Marc-André Hamelin | A♭ Major | 0 | 4B | 69 BPM | ||
Three Concert Studies, S144: No. 1. Il lamento | Franz Liszt, Kathryn Stott | A♭ Major | 1 | 4B | 131 BPM |
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