"Piano Concerto No. 20 in D Minor, K. 466: I. Allegro (Cadenza Beethoven)" by Wolfgang Amadeus Mozart, Ludwig van Beethoven, Hélène Grimaud, Camerata Salzburg was released on October 2, 2020. Piano Concerto No. 20 in D Minor, K. 466: I. Allegro (Cadenza Beethoven) appears to be safe for all ages as it is not explicit. There are a total of 10 in the song's album "The Messenger". In this album, this song's track order is #2. Based on our statistics, Piano Concerto No. 20 in D Minor, K. 466: I. Allegro (Cadenza Beethoven)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 20 in D Minor, K. 466: I. Allegro (Cadenza Beethoven) by Wolfgang Amadeus Mozart, Ludwig van Beethoven, Hélène Grimaud, Camerata Salzburg having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in G Minor, Op. 36: IV. Finale: Allegro | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | G Minor | 1 | 6A | 126 BPM | ||
Beethoven: Triple Concerto for Violin, Cello and Piano in C Major, Op. 56: II. Largo (Live) | Ludwig van Beethoven, Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera Italiana, Alexandre Rabinovitch-Barakovsky | D Major | 2 | 10B | 143 BPM | ||
Violin Concerto in D Major, Op. 61: III. Rondo. Allegro (Cadenza: Dueñas) | María Dueñas, Ludwig van Beethoven, Wiener Symphoniker, Manfred Honeck | D Major | 1 | 10B | 78 BPM | ||
6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato | Lang Lang | F Minor | 1 | 4A | 128 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : II. Alla Siciliana | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Lucas Barr, Christine Pichlmeier, Antonio Vivaldi | F♯ Minor | 1 | 11A | 129 BPM | ||
Piano Concerto No. 4 in G Minor: III. (Rondo): Allegretto | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | G Minor | 2 | 6A | 112 BPM | ||
Piano Concerto No. 2 in B Flat Major, Op. 83: 2. Allegro appassionato | Johannes Brahms, András Schiff, Orchestra of the Age of Enlightenment | D Minor | 1 | 7A | 175 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Haydn: Keyboard Concerto in F Major, Hob. XVIII:3: II. Largo cantabile | Joseph Haydn, Leif Ove Andsnes, Norwegian Chamber Orchestra | D♭ Major | 2 | 3B | 122 BPM | ||
24 Preludes, Op. 11: No. 14 in E-Flat Minor | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 62 BPM |
Section: 0.7038302421569824
End: 0.7071335315704346