"Geistliche Chormusik, Op. 11: 25. Ich weiß, daß mein Erlöser lebt, SWV 393" by Heinrich Schütz, Hille Perl, Ludger Rémy, Cappella Sagittariana Dresden, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann was released on September 1, 2007. The duration of Geistliche Chormusik, Op. 11: 25. Ich weiß, daß mein Erlöser lebt, SWV 393 is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Geistliche Chormusik, Op. 11: 25. Ich weiß, daß mein Erlöser lebt, SWV 393's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Heinrich Schütz, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann's "Heinrich Schütz: Geistliche Chor-Music 1648 (Complete Recording Vol. 1)" album is number 7 out of 29. Geistliche Chormusik, Op. 11: 25. Ich weiß, daß mein Erlöser lebt, SWV 393 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Geistliche Chormusik, Op. 11: 25. Ich weiß, daß mein Erlöser lebt, SWV 393 by Heinrich Schütz, Hille Perl, Ludger Rémy, Cappella Sagittariana Dresden, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Itzt blicken durch des Himmels Saal, SWV 460 | Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, David Erler, Georg Poplutz, Felix Schwandtke, Margret Baumgartl, Wolfgang von Kessinger, Matthias Müller, Andreas Arend, Beate Röllecke, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 116 BPM | ||
Stabat Mater in G Minor: V. Vidit suum | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Major | 2 | 1B | 81 BPM | ||
Missa Sancti Spiritus, ZWV 4: Osanna in excelsis | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Missa pro defunctis: VII. Communion | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Minor | 3 | 8A | 108 BPM | ||
Missa pro Quadragesima, MH 551: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | C Major | 2 | 8B | 138 BPM | ||
Laudate Pueri: VII. Gloria Patri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford | A Major | 1 | 11B | 85 BPM | ||
Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 73 BPM | ||
Secunda die Lectio prima: VI. Hierusalem convertere ad dominum tuum | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 2 | 2B | 91 BPM | ||
Sept paroles du Christ en croix: Parole 4 "Deus meus, ut quid dereliquisti me" | César Franck, Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
Leuven Chansonnier: No. 19, Cent mil escuz quant je vouldroye | Firminus Caron, Antoine Busnois, Anonymous, Sollazzo Ensemble, Anna Danilevskaia | B Major | 1 | 1B | 116 BPM |
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