Geistliche Chormusik, Op. 11: 25. Ich weiß, daß mein Erlöser lebt, SWV 393
Heinrich Schütz, Hille Perl, Ludger Rémy, Cappella Sagittariana Dresden, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann
Heinrich Schütz: Geistliche Chor-Music 1648 (Complete Recording Vol. 1)
2:35 September 1, 2007
BPM
88
Key
D♭ Major
Camelot
3B

Embed

Share Link

Geistliche Chormusik, Op. 11: 25. Ich weiß, daß mein Erlöser lebt, SWV 393 - Heinrich Schütz, Hille Perl, Ludger Rémy, Cappella Sagittariana Dresden, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann Information

Acousticness
99%
Danceability
27%
Energy
8%
Instrumentalness
3%
Liveness
27%
Loudness
67%
Speechiness
4%
Valence
16%
Popularity
Loudness
-19.661 dB

Summary

"Geistliche Chormusik, Op. 11: 25. Ich weiß, daß mein Erlöser lebt, SWV 393" by Heinrich Schütz, Hille Perl, Ludger Rémy, Cappella Sagittariana Dresden, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann was released on September 1, 2007. The duration of Geistliche Chormusik, Op. 11: 25. Ich weiß, daß mein Erlöser lebt, SWV 393 is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Geistliche Chormusik, Op. 11: 25. Ich weiß, daß mein Erlöser lebt, SWV 393's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Heinrich Schütz, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann's "Heinrich Schütz: Geistliche Chor-Music 1648 (Complete Recording Vol. 1)" album is number 7 out of 29. Geistliche Chormusik, Op. 11: 25. Ich weiß, daß mein Erlöser lebt, SWV 393 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Geistliche Chormusik, Op. 11: 25. Ich weiß, daß mein Erlöser lebt, SWV 393 BPM

We consider the tempo marking of Geistliche Chormusik, Op. 11: 25. Ich weiß, daß mein Erlöser lebt, SWV 393 by Heinrich Schütz, Hille Perl, Ludger Rémy, Cappella Sagittariana Dresden, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Geistliche Chormusik, Op. 11: 25. Ich weiß, daß mein Erlöser lebt, SWV 393 Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Itzt blicken durch des Himmels Saal, SWV 460 by Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, David Erler, Georg Poplutz, Felix Schwandtke, Margret Baumgartl, Wolfgang von Kessinger, Matthias Müller, Andreas Arend, Beate Röllecke, Dresdner Kammerchor, Hans-Christoph RademannItzt blicken durch des Himmels Saal, SWV 460Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, David Erler, Georg Poplutz, Felix Schwandtke, Margret Baumgartl, Wolfgang von Kessinger, Matthias Müller, Andreas Arend, Beate Röllecke, Dresdner Kammerchor, Hans-Christoph RademannD♭ Major13B116 BPM
Stabat Mater in G Minor: V. Vidit suum by Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav LuksStabat Mater in G Minor: V. Vidit suumFrantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav LuksB Major21B81 BPM
Missa Sancti Spiritus, ZWV 4: Osanna in excelsis by Jan Dismas Zelenka, Ensemble Inégal, Adam ViktoraMissa Sancti Spiritus, ZWV 4: Osanna in excelsisJan Dismas Zelenka, Ensemble Inégal, Adam ViktoraB Major31B98 BPM
Missa pro defunctis: VII. Communion by Charles D'Argentil, Ensemble Gilles Binchois, Dominique VellardMissa pro defunctis: VII. CommunionCharles D'Argentil, Ensemble Gilles Binchois, Dominique VellardA Minor38A108 BPM
Missa pro Quadragesima, MH 551: Kyrie by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiMissa pro Quadragesima, MH 551: KyrieMichael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiC Major28B138 BPM
Laudate Pueri: VII. Gloria Patri by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College OxfordLaudate Pueri: VII. Gloria PatriGiovanni Bononcini, Owen Rees, The Choir of The Queen's College OxfordA Major111B85 BPM
Missa Tempore Quadragesimae, MH 553: Agnus Dei by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiMissa Tempore Quadragesimae, MH 553: Agnus DeiMichael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiG Major19B73 BPM
Secunda die Lectio prima: VI. Hierusalem convertere ad dominum tuum by Emilio de' Cavalieri, Le Poème Harmonique, Vincent DumestreSecunda die Lectio prima: VI. Hierusalem convertere ad dominum tuumEmilio de' Cavalieri, Le Poème Harmonique, Vincent DumestreF♯ Major22B91 BPM
Sept paroles du Christ en croix: Parole 4 Sept paroles du Christ en croix: Parole 4 "Deus meus, ut quid dereliquisti me"César Franck, Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel CorbozF Major07B75 BPM
Leuven Chansonnier: No. 19, Cent mil escuz quant je vouldroye by Firminus Caron, Antoine Busnois, Anonymous, Sollazzo Ensemble, Anna DanilevskaiaLeuven Chansonnier: No. 19, Cent mil escuz quant je vouldroyeFirminus Caron, Antoine Busnois, Anonymous, Sollazzo Ensemble, Anna DanilevskaiaB Major11B116 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5704338550567627

End: 0.574927806854248