Gabriel Tacchino, Aldo Ciccolini's 'Trois Morceaux en forme de poire (1903): 2) Enlevé' came out on July 30, 2013. The duration of Trois Morceaux en forme de poire (1903): 2) Enlevé is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Trois Morceaux en forme de poire (1903): 2) Enlevé's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 212 in the song's album "Satie: Piano Works". In this album, this song's track order is #14. Based on our statistics, Trois Morceaux en forme de poire (1903): 2) Enlevé's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Trois Morceaux en forme de poire (1903): 2) Enlevé by Gabriel Tacchino, Aldo Ciccolini having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": III. Rondo. Allegretto | Wolfgang Amadeus Mozart, Gabriel Tacchino | D♭ Major | 1 | 3B | 86 BPM | ||
Winterreise, Op. 89, D. 911: No. 1, Gute Nacht (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | F Minor | 0 | 4A | 68 BPM | ||
Bonis: Miocheries, Op. 126: No. 13, La toute petite s'endort | Mel Bonis, Bertrand Chamayou | B Minor | 0 | 10A | 81 BPM | ||
Snow Nocturne No. 1 in G Minor | Carlos Marquez | F Minor | 2 | 4A | 109 BPM | ||
Soirées musicales Op. 6: II. Notturno | Clara Schumann, Mika Sasaki | F Major | 0 | 7B | 74 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
24 Preludes, Op. 37, BV 181: No. 15 in D-Flat Major | Ferruccio Busoni, Holger Groschopp | D♭ Major | 0 | 3B | 133 BPM | ||
Concerto pour 2 pianos & orchestre en ré mineur FP 61 : I Allegro ma non troppo | Francis Poulenc, Gabriel Tacchino, Bernard Ringeissen, Georges Prêtre, Monte-Carlo Philharmonic Orchestra | B Major | 0 | 1B | 96 BPM | ||
Six gnossiennes: Gnosienne 1, lent | Erik Satie, Gabriel Tacchino | C Minor | 1 | 5A | 93 BPM |
Section: 0.7344372272491455
End: 0.7401297092437744