"Time & Place" by James Ruskin was released on January 1, 1998. Since Time & Place is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 10 in Further Design by James Ruskin. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Time & Place is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Time & Place by James Ruskin is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dependant Stage | James Ruskin | E Minor | 9 | 9A | 136 BPM | ||
Prado Oscuro | Fanon Flowers | D Major | 6 | 10B | 125 BPM | ||
Drome | Joey Beltram | F♯ Minor | 9 | 11A | 211 BPM | ||
The Fridge 5 | Stanislav Tolkachev | F♯ Minor | 5 | 11A | 135 BPM | ||
Rip The Cut | Planetary Assault Systems | F♯ Major | 7 | 2B | 130 BPM | ||
String Theory - Original Mix | Arthur Robert | G Major | 8 | 9B | 140 BPM | ||
Modifier | Function | E Minor | 7 | 9A | 129 BPM | ||
The Eyes Don't Lie | Setaoc Mass | F♯ Minor | 9 | 11A | 142 BPM | ||
Subconscious Dub | efdemin | A♭ Major | 4 | 4B | 125 BPM | ||
Get To You | Ryan Elliott | B Minor | 6 | 10A | 133 BPM |
Section: 0.5443308353424072
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