Johan Helmich Roman, Ilona Maros, Béla Szilágyi, Savaria Vocal Ensemble, Capella Savaria, Pál Németh's 'Birthday Cantata: Aria: Vieni, prode Federico' came out on January 1, 2015. With this song being about 5 minutes long, at 4:44, "Birthday Cantata: Aria: Vieni, prode Federico" by Johan Helmich Roman, Ilona Maros, Béla Szilágyi, Savaria Vocal Ensemble, Capella Savaria, Pál Németh is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 25 in the song's album "Roman: Secular Cantatas". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Hungary. In terms of popularity, Birthday Cantata: Aria: Vieni, prode Federico is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Birthday Cantata: Aria: Vieni, prode Federico by Johan Helmich Roman, Ilona Maros, Béla Szilágyi, Savaria Vocal Ensemble, Capella Savaria, Pál Németh having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harpsichord Concerto in A Major: III. Giga: Allegro | Carlos Seixas, Janos Sebestyen, Franz Liszt Chamber Orchestra, János Rolla | A Major | 3 | 11B | 106 BPM | ||
Sei Concerti in sette parti: No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | E Major | 4 | 12B | 136 BPM | ||
Bagatelle No. 5 for String Quartet: Adagio Espressivo | Jordan Zhu | B♭ Major | 3 | 6B | 134 BPM | ||
Purcell: The Fairy Queen, Z. 629: Overture | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 0 | 10A | 78 BPM | ||
Spängler-Menuett III | Leopold Mozart, Bankhaus Spängler | G Major | 0 | 9B | 92 BPM | ||
Concerto No. 5 in B-Flat Major, SF 944 "La Cetra": II. Larghetto staccato | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D Major | 1 | 10B | 94 BPM | ||
I - Grave from: Concerto No. 1 in f minor | Accademia Bizantina | E Minor | 1 | 9A | 108 BPM | ||
Bilagers musiquen (Royal wedding music), BeRI 2, "Drottningholmsmusique": Allegro | Johan Helmich Roman, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 1 | 3B | 166 BPM | ||
Overture No. 2 in F Major: III. Sarabande | Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini | F Major | 1 | 7B | 108 BPM | ||
Concerto No. 2 in E Major, SF 938 "La Cetra": II. Moderato | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | E♭ Minor | 1 | 2A | 111 BPM |
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