Cole Porter, Dame Josephine Barstow, Thomas Hampson, Kim Criswell, George Dvorsky, Damon Evans, Karla Burns, Ambrosian Singers, John McGlinn, London Sinfonietta made "Porter: Kiss Me, Kate, Act II: Where is the Life That Late I Led?" available on 1997. With this song being about 5 minutes long, at 4:46, "Porter: Kiss Me, Kate, Act II: Where is the Life That Late I Led?" by Cole Porter, Dame Josephine Barstow, Thomas Hampson, Kim Criswell, George Dvorsky, Damon Evans, Karla Burns, Ambrosian Singers, John McGlinn, London Sinfonietta is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 17 out of 19 in A Portrait of Thomas Hampson by Thomas Hampson. Porter: Kiss Me, Kate, Act II: Where is the Life That Late I Led? is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Porter: Kiss Me, Kate, Act II: Where is the Life That Late I Led? by Cole Porter, Dame Josephine Barstow, Thomas Hampson, Kim Criswell, George Dvorsky, Damon Evans, Karla Burns, Ambrosian Singers, John McGlinn, London Sinfonietta is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Let's Get Away from It All | Martha Tilton, Harry Babbitt | A Minor | 2 | 8A | 124 BPM | ||
Murder, He Says | Betty Hutton | B♭ Major | 3 | 6B | 135 BPM | ||
Keep a Knockin' (But You Can't Come In) | Louis Jordan | D♭ Major | 3 | 3B | 155 BPM | ||
Jingle, Jangle, Jingle | The Merry Macs | D♭ Major | 2 | 3B | 183 BPM | ||
Praise the Lord and Pass the Ammunition | The Merry Macs | D Major | 3 | 10B | 150 BPM | ||
Man Enough | Lynda Carter, John Jarvis, Kerry Marx | D Minor | 3 | 7A | 106 BPM | ||
Everybodee Who's Anybodee (2023 Remastered) | Cole Porter | A Major | 2 | 11B | 141 BPM | ||
Pass That Peace Pipe | Margaret Whiting | C Minor | 2 | 5A | 179 BPM | ||
Doctor Jazz | Jelly Roll Morton | G Minor | 2 | 6A | 79 BPM | ||
Atom And Evil | The Golden Gate Quartet | C Major | 2 | 8B | 115 BPM |
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