"Misa de Medianoche: Antífona de ofertorio LAETENTUR CAELI (4º modo) - Remastered" by Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes was released on December 1, 2016. With Misa de Medianoche: Antífona de ofertorio LAETENTUR CAELI (4º modo) - Remastered being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 19 in Canto Gregoriano: Navidad: Misa de Medianoche - Misa del Día by Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes. Based on our statistics, Misa de Medianoche: Antífona de ofertorio LAETENTUR CAELI (4º modo) - Remastered's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Misa de Medianoche: Antífona de ofertorio LAETENTUR CAELI (4º modo) - Remastered by Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sicut Cervus (Giovanni Pierluigi da Palestrina) | Sexteto Cantábile | G Major | 2 | 9B | 130 BPM | ||
Agnus Dei I | Nova Schola Gregoriana, Alberto Turco, Alessio Randon | F Major | 0 | 7B | 172 BPM | ||
Dieu au-delà de tout créé | Choeur des Moines de l'Abbaye de Tamié | C Major | 1 | 8B | 113 BPM | ||
Skaramissalet: Recordare quod steterim | Ars Veritas | D♭ Minor | 3 | 12A | 142 BPM | ||
Hymns of Light: Easter | Choir of the Monks of Chevetogne | E Minor | 4 | 9A | 106 BPM | ||
Segundo Domingo Después de Pascua: Aleluya: Ego Sum Pastor Bonus (1er. modo) | Popular, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard | F♯ Minor | 1 | 11A | 80 BPM | ||
Cunctipotens Genitor Deus | Schola Gregoriana Mediolanensis & Giovanni Vianini | A♭ Major | 1 | 4B | 162 BPM | ||
Hierarchical Entrance Rite for a Byzantine Divine Liturgy: I. Introit for Sundays | Cappella Romana, Mark Powell, Leslie Green, John M. Boyer, Alexander Lingas | F Major | 2 | 7B | 69 BPM | ||
Chants for the Palm Sunday Procession | Pro Cantione Antiqua | B Minor | 1 | 10A | 67 BPM | ||
Quinto Domingo Después de Pascua: Comunión: Cantate Domino (2º modo) | Popular, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard | F Major | 2 | 7B | 104 BPM |
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