- BPM
- 65
- Key
- F♯ Major
- Camelot
- 2B
Woodland Sketches, Op. 51: No. 6: To a Water-lily - Edward MacDowell, James Barbagallo Information
- Acousticness
- 100%
- Danceability
- 53%
- Energy
- 0%
- Instrumentalness
- 95%
- Liveness
- 9%
- Loudness
- 50%
- Speechiness
- 6%
- Valence
- 18%
- Popularity
- 6%
- Loudness
- -30.282 dB
Summary
"Woodland Sketches, Op. 51: No. 6: To a Water-lily" by Edward MacDowell, James Barbagallo was released on March 2, 1994. The duration of Woodland Sketches, Op. 51: No. 6: To a Water-lily is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Woodland Sketches, Op. 51: No. 6: To a Water-lily's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edward MacDowell's "Macdowell: Woodland Sketches / Fireside Tales / New England Idyls" album is number 6 out of 34. Woodland Sketches, Op. 51: No. 6: To a Water-lily is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Woodland Sketches, Op. 51: No. 6: To a Water-lily BPM
We consider the tempo marking of Woodland Sketches, Op. 51: No. 6: To a Water-lily by Edward MacDowell, James Barbagallo to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Woodland Sketches, Op. 51: No. 6: To a Water-lily Key
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 3 Valses distinguées du précieux dégoûté: No. 2, Son binocle | Erik Satie, Giacomo Scinardo | A Minor | 0 | 8A | 110 BPM | |
 | 4 Piano Pieces, Op.119: 1. Intermezzo In B Minor | Johannes Brahms, Radu Lupu | B Minor | 0 | 10A | 69 BPM | |
 | Fauré: Nocturne No. 1 in E-Flat Minor, Op. 33 No. 1 | Gabriel Fauré, Jean-Philippe Collard | A Major | 1 | 11B | 172 BPM | |
 | Canzona Serenata, Op. 38 No. 6 | Nikolai Medtner, Dmitry Shishkin | F Minor | 0 | 4A | 172 BPM | |
 | Intermezzo in A-Flat Major, Op. 76, No. 3 | Johannes Brahms, Arcadi Volodos | A♭ Major | 0 | 4B | 67 BPM | |
 | Mendelssohn-Hensel: 6 Mélodies, Opp. 4 & 5: No. 4 in B Major | Fanny Mendelssohn, Sophie Pacini | D♭ Minor | 0 | 12A | 68 BPM | |
 | Kinderszenen, Op. 15: No. 10 in G-Sharp Minor, Fast zu ernst | Robert Schumann, Ivan Moravec | A♭ Minor | 0 | 1A | 75 BPM | |
 | Liebesfreud | Fritz Kreisler, Sergei Rachmaninoff | F Major | 1 | 7B | 86 BPM | |
 | The Seasons, Op. 37b: X. October (Autumn Song) | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D Minor | 0 | 7A | 78 BPM | |
 | Piano Sonata in G Minor: II. Romanza: Andante quasi adagio | Wilhelm Stenhammar, Niklas Sivelov | B♭ Major | 0 | 6B | 74 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.679039716720581
End: 0.683150053024292