Krushna Shinde, Shakuntala Jadhav, Reshma Sonavane, Ramdas Patil, Ganesh Bhagat made "O Nakhava Mala Botin Firaval Ka" available on September 8, 2014. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "O Nakhava Mala Botin Firaval Ka". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. O Nakhava Mala Botin Firaval Ka is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With O Nakhava Mala Botin Firaval Ka by Krushna Shinde, Shakuntala Jadhav, Reshma Sonavane, Ramdas Patil, Ganesh Bhagat having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hridayi Vasant Phulatana (From "Ashi Hi Banavabanavi") | Sudesh Bhosle, Suresh Wadkar, Shailendra Singh, Sachin, Anuradha Paudwal, Aparna Mayeker | F♯ Minor | 8 | 11A | 139 BPM | ||
Vasaikar Masala | Sijoy Almeida | G Major | 9 | 9B | 128 BPM | ||
Bedhund Me | Hrishikesh Ranade, Bela Shende | C Major | 7 | 8B | 82 BPM | ||
Tula Pahata | Hrishikesh Ranade | B Minor | 5 | 10A | 145 BPM | ||
Sangu Kasa Kaal Sapan Padala | Reshma Sonavane | A Major | 9 | 11B | 132 BPM | ||
Chavatyat Rahu Naye | Ramdas Patil | A♭ Major | 7 | 4B | 107 BPM | ||
Ghumshyan Angaat Aal | Vaishali Samant, Swapnil Bandodkar | G Major | 8 | 9B | 164 BPM | ||
Vakticha Lagin | Akshay Anant Patil | G Major | 10 | 9B | 100 BPM | ||
Tula Japnar Aahe - From "Khari Biscuit" | Adarsh Shinde, Ronkini Gupta | E♭ Major | 6 | 5B | 135 BPM | ||
Ghadlyan Vajle 12 | Reshma Sonavane | A♭ Major | 9 | 4B | 132 BPM |
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