"Don Quixote, Op. 35, TrV 184: 11. Variation 8" by Richard Strauss, Heinrich Schiff, Dietmar Hallman, Gewandhausorchester Leipzig, Kurt Masur was released on June 11, 2021. With Don Quixote, Op. 35, TrV 184: 11. Variation 8 being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 75 in the song's album "Richard Strauss". In this album, this song's track order is #39. Don Quixote, Op. 35, TrV 184: 11. Variation 8 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Don Quixote, Op. 35, TrV 184: 11. Variation 8 by Richard Strauss, Heinrich Schiff, Dietmar Hallman, Gewandhausorchester Leipzig, Kurt Masur having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Elegiac Melodies, Op. 34: II. The Last Spring | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings Upon Arrival in the Country: Allegro ma non troppo | Ludwig van Beethoven, Bavarian Radio Symphony Orchestra, Mariss Jansons | C Major | 0 | 8B | 115 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
5 Piano Pieces, Op. 3, TrV 105: No. 1. Andante | Richard Strauss, Stefan Veselka | B♭ Major | 2 | 6B | 77 BPM | ||
Der Rosenkavalier op. 59: Ah laß Sie schon einmal das fade Wort! | Richard Strauss, Metropolitan Opera Orchestra, Fritz Reiner, Emanuel List, Rise Stevens | G Major | 2 | 9B | 84 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
Der Rosenkavalier op. 59: Der Feldmarschall sitzt im kroatischen Wald | Richard Strauss, Metropolitan Opera Orchestra, Fritz Reiner, Eleanor Steber, Rise Stevens | G Minor | 2 | 6A | 81 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM |
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