Nicol Matt, Nordic Chamber Choir, Soloists Of The Freiburger Barockorchester, Ute Petersilge, Johann Sebastian Bach, Robert Sagasser, Jens Wollenschläger, Jörg Halobek, Martina Rotbauer, Heike Hümmer's 'Christ Ist Erstanden, Cantate Bwv 66' came out on March 28, 2007. With Christ Ist Erstanden, Cantate Bwv 66 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 6 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Christ Ist Erstanden, Cantate Bwv 66 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Christ Ist Erstanden, Cantate Bwv 66 by Nicol Matt, Nordic Chamber Choir, Soloists Of The Freiburger Barockorchester, Ute Petersilge, Johann Sebastian Bach, Robert Sagasser, Jens Wollenschläger, Jörg Halobek, Martina Rotbauer, Heike Hümmer is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I. Wie schön leuchtet der Morgenstern (Chorus) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln | A♭ Major | 2 | 4B | 92 BPM | ||
Magnificat: VIII. Deposuit potentes | Francisco Guerrero, Núria Rial, Raúl Mallavibarrena | C Minor | 0 | 5A | 71 BPM | ||
Mache dich, mein Geist, bereit, BWV 115: No. 6, Straf mich nicht in deinem Zorn | Johann Sebastian Bach, Chamber Choir Of Europe, Nicol Matt | A♭ Minor | 2 | 1A | 83 BPM | ||
Spatzenmesse in C-Dur, KV. 220 'Missa - Gloria' | Brigitta Karwautz, Ingrid Hofer, Michael Gailit, Manfred Equiluz, Chor, Solisten & Orchester von St. Augustin, Wolfgang Bankl | C Major | 1 | 8B | 122 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 18, "Es bebet das Gesträuche" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | D♭ Major | 1 | 3B | 171 BPM | ||
Elias, Op. 70: Teil I: Hilf, Herr! | Felix Mendelssohn, Thomas Hengelbrock | E♭ Major | 0 | 5B | 87 BPM | ||
Missa Sancti Spiritus, ZWV 4: Et unam Sanctam | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Missa Popularis: II. Gloria | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | F Major | 2 | 7B | 129 BPM | ||
Missa S. Marcellini: VIII. Qui sedes - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 3 | 3B | 140 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": II. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM |
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