Judy Garland, Lucille Bremer made "Meet Me in St. Louis, Louis (from "Meet Me in St. Louis") - 2022 Remaster" available on June 3, 2022. With Meet Me in St. Louis, Louis (from "Meet Me in St. Louis") - 2022 Remaster being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Judy Garland's "Judy Garland: Recordings from the M-G-M Films (Motion Picture Soundtrack Anthology)" album is number 56 out of 115. On top of that, United States appears to be the country where this track was created. The popularity of Meet Me in St. Louis, Louis (from "Meet Me in St. Louis") - 2022 Remaster is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Meet Me in St. Louis, Louis (from "Meet Me in St. Louis") - 2022 Remaster by Judy Garland, Lucille Bremer to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Broadway Baby | Stephen Sondheim, Jayne Houdyshell, Mary Beth Peil, Susan Watson, Don Correia | D Major | 4 | 10B | 104 BPM | ||
So Long, Farewell | Charmain Carr, Angela Cartwright, Duane Chase, Nicholas Hammond, Kym Karath, Heather Menzies, Debbie Turner | B♭ Major | 2 | 6B | 120 BPM | ||
Mrs Worthington | Noel Coward | E♭ Major | 2 | 5B | 137 BPM | ||
Gay Paree | Robert Preston | F Major | 2 | 7B | 103 BPM | ||
Give My Regards to Broadway | Joel Grey, George M! Ensemble | C Major | 5 | 8B | 137 BPM | ||
C'est moi - Lancelot | Frances Nero, Lee Herschberg | C Major | 2 | 8B | 93 BPM | ||
Bye Bye Birdie - Original Broadway Cast: The Telephone Hour | Charles Strouse, Bye Bye Birdie Ensemble, Elliot Lawrence | D Major | 4 | 10B | 82 BPM | ||
Chitty Chitty Bang Bang: Hushabye Mountain | Richard M. Sherman, Robert B. Sherman, Michael Ball, Robert Scott | C Minor | 1 | 5A | 97 BPM | ||
Mad Dogs And Englishmen | Noel Coward | C Major | 2 | 8B | 134 BPM | ||
Shy - 1959 Original Broadway Cast | Mary Rodgers, Carol Burnett, Joe Bova | E Minor | 4 | 9A | 70 BPM |
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