Carl Philipp Emanuel Bach, Ana-Marija Markovina made "Keyboard Sonata in C Major, Wq. 48/5, H. 28, "Prussian Sonata No. 5": I. Poco allegro" available on April 29, 2014. The duration of Keyboard Sonata in C Major, Wq. 48/5, H. 28, "Prussian Sonata No. 5": I. Poco allegro is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Keyboard Sonata in C Major, Wq. 48/5, H. 28, "Prussian Sonata No. 5": I. Poco allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 24 in C.P.E. Bach: The Complete Works for Piano Solo, Vol. 1 by Carl Philipp Emanuel Bach, Ana-Marija Markovina. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Keyboard Sonata in C Major, Wq. 48/5, H. 28, "Prussian Sonata No. 5": I. Poco allegro is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Keyboard Sonata in C Major, Wq. 48/5, H. 28, "Prussian Sonata No. 5": I. Poco allegro by Carl Philipp Emanuel Bach, Ana-Marija Markovina is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Melodies, Op. 4: No. 2. Melodie in C-Sharp Minor | Fanny Mendelssohn, Betty Ann Miller | Dâ™ Minor | 0 | 12A | 67 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1: No. 8. Rezitativ, "Wer ist die Sionitin" (Baritone) | Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Andreas Wolf | D Major | 4 | 10B | 124 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Keyboard Concerto in E-Flat Major, Op. 7. No. 5, W. C59: II. Andante | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | C Minor | 0 | 5A | 84 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM |
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