"Goldberg Variations, BWV 988: Aria ((The English Patient)" by Johann Sebastian Bach, Pi-hsien Chen was released on January 1, 1997. The duration of Goldberg Variations, BWV 988: Aria ((The English Patient) is about 3 minutes long, at 3:17. Based on our data, "Goldberg Variations, BWV 988: Aria ((The English Patient)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists, Stephen Gunzenhauser, John Georgiadis, István Párkányi, Peter Breiner, Oliver von Dohnanyi, Jozef Kopelman, Richard Edlinger, Johannes Wildner, Ondrej Lenard, Jaroslav Krcek, András Ligeti, Barry Wordsworth, Kenneth Jean, Robert Stankovsky, Antoni Wit, Alfred Walter, Gerhard Markson, Adrian Leaper, Anthony Bramall, Keith Clark's "Lugna blå timmar – Harmonisk klassisk musik" album is number 1 out of 43. On top of that, Hong Kong appears to be the country where this track was created. Goldberg Variations, BWV 988: Aria ((The English Patient) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Goldberg Variations, BWV 988: Aria ((The English Patient) by Johann Sebastian Bach, Pi-hsien Chen to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in C Major, BWV 1064 (arr. for 3 violins and orchestra): II. Adagio | Johann Sebastian Bach, Elisabeth Kufferath, Christine Pichlmeier, Winfried Rademacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 1 | 10A | 67 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Concerto in D Minor for Two Violins, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music | E Major | 2 | 12B | 87 BPM | ||
Keyboard Concerto in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Oleg Malov, Orchestra "Classical Music Studio", St. Petersburg, Alexander Titov, St. Petersburg Orchestra Classical Music Studio | A♭ Major | 0 | 4B | 111 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4 | Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard | A Major | 1 | 11B | 128 BPM | ||
Nocturne No.3 In B, Op.9 No.3 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 68 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
24 Préludes, Op. 28: No.4 in E minor - Largo | Frédéric Chopin, Alexandre Tharaud | F Major | 0 | 7B | 111 BPM | ||
Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | G Major | 4 | 9B | 92 BPM | ||
Johannes-Passion, BWV 245.1: 12. Recitativo: Und Hannas sandte ihn gebunden | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Jannes Arndt, Ha Dong Lee | F Minor | 2 | 4A | 34 BPM |
Section: 0.8128952980041504
End: 0.8192658424377441