"Johannes Brahms: Sinfonie Nr. 1 C-Moll op. 68 - Un poco sostenuto - IV. Adagio - Più Andante - Allegro non troppo, ma con brio" by Royal Philharmonic Orchestra, Robert Bachmann had its release date on July 19, 2002. This song appears to be safe for all ages as it is not explicit. The track order of this song in Royal Philharmonic Orchestra, Robert Bachmann's "Johannes Brahms: Orchesterwerke 1 - 4" album is number 4 out of 28. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Johannes Brahms: Sinfonie Nr. 1 C-Moll op. 68 - Un poco sostenuto - IV. Adagio - Più Andante - Allegro non troppo, ma con brio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Johannes Brahms: Sinfonie Nr. 1 C-Moll op. 68 - Un poco sostenuto - IV. Adagio - Più Andante - Allegro non troppo, ma con brio by Royal Philharmonic Orchestra, Robert Bachmann to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An American Trilogy - with The Royal Philharmonic Orchestra | Elvis Presley, Royal Philharmonic Orchestra | C Major | 3 | 8B | 75 BPM | ||
Le Roi s'amuse: Incidental Music - Ballet Music (2002 Digital Remaster): II. Pavane | Sir Thomas Beecham, Royal Philharmonic Orchestra | B Major | 5 | 1B | 137 BPM | ||
Adagio for Strings (Platoon) | Samuel Barber, Alberto Lizzio, Camerata Romana | B♭ Minor | 1 | 3A | 85 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
A Love So Beautiful - with The Royal Philharmonic Orchestra | Roy Orbison | C Major | 4 | 8B | 127 BPM | ||
Requiem: 5. Pie Jesu | The Ayoub Sisters, Royal Philharmonic Orchestra, Mark Messenger | A Major | 1 | 11B | 87 BPM | ||
Morning Mood | Edvard Grieg, Royal Philharmonic Orchestra, John Rigby | E Major | 0 | 12B | 80 BPM | ||
Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 5, Gliding Dance of The Maidens | Alexander Borodin, Sir Thomas Beecham, Beecham Choral Society, Royal Philharmonic Orchestra | A Major | 5 | 11B | 86 BPM | ||
Con te partirò - Instrumental / 2016 Version | Andrea Bocelli | G Major | 4 | 9B | 114 BPM | ||
First Impressions | Original Soundtrack | F Major | 0 | 7B | 130 BPM |