Johann Sebastian Bach, Guoda Gedvilaitė's 'Keyboard Concerto in D Minor, BWV 974 (After A. Marcello's Oboe Concerto in D Minor): III. Presto' came out on February 2, 2024. The duration of Keyboard Concerto in D Minor, BWV 974 (After A. Marcello's Oboe Concerto in D Minor): III. Presto is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Keyboard Concerto in D Minor, BWV 974 (After A. Marcello's Oboe Concerto in D Minor): III. Presto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Through Time and Sound". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Keyboard Concerto in D Minor, BWV 974 (After A. Marcello's Oboe Concerto in D Minor): III. Presto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Keyboard Concerto in D Minor, BWV 974 (After A. Marcello's Oboe Concerto in D Minor): III. Presto by Johann Sebastian Bach, Guoda Gedvilaitė having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude Number 19 | The Piano Girl | B Minor | 4 | 10A | 156 BPM | ||
Keyboard Sonata in B-Flat Major, Op. 10 No. 3: I. Presto | Muzio Clementi, HyeJin Kim | F Major | 1 | 7B | 112 BPM | ||
Fugue, Fragment | Erik Satie, Alessandro Simonetto | C Major | 0 | 8B | 141 BPM | ||
Partita No. 3 in A Minor, BWV 827: IV. Sarabande | Johann Sebastian Bach, Martin Helmchen | A♭ Minor | 2 | 1A | 145 BPM | ||
Resonancias del Alba | Velqui | F Minor | 2 | 4A | 95 BPM | ||
Suite No. 2 in D Minor, BWV 1008 (Arr. for Piano by Thomas Jarry): I. Prélude | Johann Sebastian Bach, Thomas Jarry | D Minor | 2 | 7A | 110 BPM | ||
Paradies: Piano Sonata in A Major, No. 6: I. Toccata | Pietro Domenico Paradisi, Adam Ambrosini | G Major | 0 | 9B | 98 BPM | ||
Sonata in C Major, Hob. XVI: 1: II. Andante | Joseph Haydn, Chen Xueyuan | C Major | 1 | 8B | 116 BPM | ||
Barre: Assouplissement à la barre (Suite Saphir) | Patrice Bernard | F Major | 2 | 7B | 96 BPM | ||
Seks lyriske Smaastykker for Piano, Op. 25: II. Gavotte | Signe Lund, Rune Alver | B Major | 2 | 1B | 76 BPM |
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