Georg Böhm, Giovanni Mazzocchin's 'Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 21, Menuet in G Major "Fait par Mons. Böhm"' came out on October 8, 2021. With Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 21, Menuet in G Major "Fait par Mons. Böhm" being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giovanni Mazzocchin's "J.S. Bach: Notebook for Anna Magdalena Bach (1725)" album is number 21 out of 31. On top of that, Italy appears to be the country where this track was created. Based on our statistics, Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 21, Menuet in G Major "Fait par Mons. Böhm"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 21, Menuet in G Major "Fait par Mons. Böhm" by Georg Böhm, Giovanni Mazzocchin to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aria & Variations in A Minor, BuxWV 249 | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Partita II in do menore : Corrente, Allegro ma non troppo | Lazar Berman | C Minor | 1 | 5A | 123 BPM | ||
Prelude (Fitzwilliam 43) | John Bull, Kit Armstrong | D Major | 0 | 10B | 133 BPM | ||
Fugue in A Minor, MWV U 33 (Fragment) | Felix Mendelssohn, Ana-Marija Markovina | A Minor | 1 | 8A | 119 BPM | ||
6 Sonates meleese de pieces, Op. 2: VI. Sonata in A minor "La Boucot”: II. Allemanda. Allegro | Michel Blavet, Claudio Ferrarini, Accademia Farnese | G Minor | 3 | 6A | 78 BPM | ||
Suite in G Minor, HWV 453: II. Entrée | George Frideric Handel, Giovanni Mazzocchin | G Major | 1 | 9B | 129 BPM | ||
Meditation No. 5 | Alexander Därr | E♭ Major | 0 | 5B | 78 BPM | ||
Clarifica me Pater I | William Byrd, Nicolas Haigh, Jeremy Filsell | E♭ Major | 2 | 5B | 85 BPM | ||
Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: VII. Pt. 6 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Gigue for 2 Harpsichords in G Major | Gaspard Le Roux, William Christie, Justin Taylor | F♯ Major | 3 | 2B | 83 BPM |
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