A Midsummer Night's Dream, Op. 64 / Act 3: "O Wall, Full Often Hast Thou Heard My Moans" - Benjamin Britten, Kenneth McDonald, Owen Brannigan, Robert Tear, Helen Watts, John Shirley-Quirk, London Symphony Orchestra Information

"A Midsummer Night's Dream, Op. 64 / Act 3: "O Wall, Full Often Hast Thou Heard My Moans"" by Benjamin Britten, Kenneth McDonald, Owen Brannigan, Robert Tear, Helen Watts, John Shirley-Quirk, London Symphony Orchestra was released on January 1, 1967. The duration of A Midsummer Night's Dream, Op. 64 / Act 3: "O Wall, Full Often Hast Thou Heard My Moans" is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. A Midsummer Night's Dream, Op. 64 / Act 3: "O Wall, Full Often Hast Thou Heard My Moans"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 41 in Britten: A Midsummer Night's Dream by Benjamin Britten, Alfred Deller, Elizabeth Harwood, Choirs Of Downside And Emanuel Schools, London Symphony Orchestra. A Midsummer Night's Dream, Op. 64 / Act 3: "O Wall, Full Often Hast Thou Heard My Moans" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

A Midsummer Night's Dream, Op. 64 / Act 3: "O Wall, Full Often Hast Thou Heard My Moans" BPM

The tempo marking of A Midsummer Night's Dream, Op. 64 / Act 3: "O Wall, Full Often Hast Thou Heard My Moans" by Benjamin Britten, Kenneth McDonald, Owen Brannigan, Robert Tear, Helen Watts, John Shirley-Quirk, London Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

A Midsummer Night's Dream, Op. 64 / Act 3: "O Wall, Full Often Hast Thou Heard My Moans" Key

A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.