Mendelssohn: Symphony No. 4 in A Major, Op. 90, MWV N16 "Italian": III. Con modo moderato
Felix Mendelssohn, Philharmonia Orchestra, Otto Klemperer
Philharmonia Orchestra - Mendelssohn
6:22 February 17, 2023
BPM
144
Key
E Major
Camelot
12B

Embed

Share Link

Mendelssohn: Symphony No. 4 in A Major, Op. 90, MWV N16 "Italian": III. Con modo moderato - Felix Mendelssohn, Philharmonia Orchestra, Otto Klemperer Information

Acousticness
95%
Danceability
24%
Energy
10%
Instrumentalness
87%
Liveness
16%
Loudness
68%
Speechiness
4%
Valence
10%
Popularity
Loudness
-19.191 dB

Summary

"Mendelssohn: Symphony No. 4 in A Major, Op. 90, MWV N16 "Italian": III. Con modo moderato" by Felix Mendelssohn, Philharmonia Orchestra, Otto Klemperer was released on February 17, 2023. Mendelssohn: Symphony No. 4 in A Major, Op. 90, MWV N16 "Italian": III. Con modo moderato is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. There are a total of 45 in the song's album "Philharmonia Orchestra - Mendelssohn". In this album, this song's track order is #43. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Mendelssohn: Symphony No. 4 in A Major, Op. 90, MWV N16 "Italian": III. Con modo moderato's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mendelssohn: Symphony No. 4 in A Major, Op. 90, MWV N16 "Italian": III. Con modo moderato BPM

With Mendelssohn: Symphony No. 4 in A Major, Op. 90, MWV N16 "Italian": III. Con modo moderato by Felix Mendelssohn, Philharmonia Orchestra, Otto Klemperer having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

Mendelssohn: Symphony No. 4 in A Major, Op. 90, MWV N16 "Italian": III. Con modo moderato Key

E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Ich ruf zu dir, Herr Jesu Christ, No. 5, BWV 639 by Johann Sebastian Bach, Murray PerahiaIch ruf zu dir, Herr Jesu Christ, No. 5, BWV 639Johann Sebastian Bach, Murray PerahiaG Minor36A122 BPM
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana by Ottorino Respighi, Konstantin ScherbakovAntiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. ItalianaOttorino Respighi, Konstantin ScherbakovB Minor010A197 BPM
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume by Robert Schumann, Kian Soltani, Aaron PilsanMyrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine BlumeRobert Schumann, Kian Soltani, Aaron PilsanF Major07B116 BPM
6 Stucke, Op. 32: 6 Pieces, Op. 32: No. 3. Rustle of Spring by Christian Sinding, Christian Ihle Hadland6 Stucke, Op. 32: 6 Pieces, Op. 32: No. 3. Rustle of SpringChristian Sinding, Christian Ihle HadlandF Minor14A76 BPM
Ständchen (From Schwanengesang, D957) by Franz Liszt, Evgeny KissinStändchen (From Schwanengesang, D957)Franz Liszt, Evgeny KissinD Major010B68 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits by Christoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraOrpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed SpiritsChristoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraD Minor17A67 BPM
Nocturne No.15 In F Minor, Op.55 No.1 by Frédéric Chopin, Daniel BarenboimNocturne No.15 In F Minor, Op.55 No.1Frédéric Chopin, Daniel BarenboimF Minor04A80 BPM
Melodie From Melodie From "Orfeo ed Euridice", Wq. 30 (Arr. Giovanni Sgambati)Christoph Willibald Gluck, Hélène GrimaudD Minor07A70 BPM
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) by Ottorino Respighi, Seattle Symphony Orchestra, Gerard SchwarzBach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645)Ottorino Respighi, Seattle Symphony Orchestra, Gerard SchwarzE♭ Major05B110 BPM
Sinfonia No. 4 in C Minor, MWV N4: II. Andante by Felix Mendelssohn, Northern Chamber Orchestra, Nicholas WardSinfonia No. 4 in C Minor, MWV N4: II. AndanteFelix Mendelssohn, Northern Chamber Orchestra, Nicholas WardE Minor19A129 BPM
ISRC
GBAYC1202799
Label
L-M Records/RCA Records

Section: 0.7192437648773193

End: 0.7221295833587646