"Violin Sonata No. 2: III. Impetuoso" by Mozart Camargo Guarneri, Renato Wiedemann, Marija Bokor was released on January 26, 2024. With this song being about 5 minutes long, at 4:43, "Violin Sonata No. 2: III. Impetuoso" by Mozart Camargo Guarneri, Renato Wiedemann, Marija Bokor is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Renato Wiedemann: Roots. 20th Century Violin Sonatas from Brazil and Switzerland". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Switzerland. Violin Sonata No. 2: III. Impetuoso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Sonata No. 2: III. Impetuoso by Mozart Camargo Guarneri, Renato Wiedemann, Marija Bokor having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Soledad (Arr. for Violin & String Orchestra by Ken Selden) | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | E Minor | 1 | 9A | 80 BPM | ||
Thais: Méditation de Thais - Arr. for Violin and Piano | Jules Massenet, Pierre Amoyal, Bruno Canino | D Major | 1 | 10B | 95 BPM | ||
Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | F♯ Major | 0 | 2B | 92 BPM | ||
ウィーン奇想曲 | Fritz Kreisler, Mie Kobayashi, 江口玲 | D Minor | 1 | 7A | 86 BPM | ||
Berceuse (Arr. For viola and piano) | Frank Bridge, Enikő Magyar, Tadashi Imai | B♭ Major | 0 | 6B | 84 BPM | ||
Träumerei, Op. 21 | Franz Drdla, Mela Tenenbaum, Anton Nel | D Major | 0 | 10B | 125 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | E Minor | 1 | 9A | 99 BPM | ||
Piano Trio in A minor, M. 67: 3. Passacaille (Très large) | Maurice Ravel, Beaux Arts Trio | F♯ Minor | 0 | 11A | 79 BPM | ||
Rhapsody No. 1, BB 94a: Prima Parte 'Lassu': Moderato | Béla Bartók, György Pauk, Jenő Jandó | D Minor | 0 | 7A | 101 BPM | ||
Trio in A Minor, Op. 114: I. Allegro | Johannes Brahms, József Balogh, Jenő Jandó, Csaba Onczay | D♭ Major | 0 | 3B | 78 BPM |
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