"Katya Kabanova, JW I/8, Act I Scene 1: Introduction" by Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra was released on February 23, 2024. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Simon O'Neill, Katarina Dalayman, Andrew Staples, Ladislav Elgr's "Janáček: Katya Kabanova" album is number 1 out of 32. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Katya Kabanova, JW I/8, Act I Scene 1: Introduction is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Katya Kabanova, JW I/8, Act I Scene 1: Introduction by Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Octet, Op. 7 (Arr. for String Orchestra by Wilson, Lovell-Jones & Nelson): III. Lentement | George Enescu, Sinfonia Of London, John Wilson | E Major | 1 | 12B | 85 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Theme - Andante | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 91 BPM | ||
Symphony No. 8 in C Minor, Op. 65: II. Allegretto - Live | Dmitri Shostakovich, Dmitrij Schostakowitsch, Bavarian Radio Symphony Orchestra, Bernard Haitink | D♭ Major | 2 | 3B | 148 BPM | ||
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII. Andante cantabile | Sergei Rachmaninoff, Cecile Ousset, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | C Major | 2 | 8B | 106 BPM | ||
Ave Maria. Op. 52, No. 6 (D.839, Arr. For Solo Piano by Armbruster) - Duo-Art 102835 | Franz Schubert, Peter Phillips, Robert Armbruster | A♭ Major | 0 | 4B | 71 BPM | ||
Symphony No. 2 in E Minor, Op. 27: III. Adagio (Transcr. Trifonov for 2 Pianos) | Sergei Rachmaninoff, Daniil Trifonov, Sergei Babayan | D Minor | 2 | 7A | 82 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 3, Appendix II: No. 20a, Russian Dance | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 74 BPM | ||
Concerto in D Major, Op. 35a: II. Quasi andante | Ferruccio Busoni, Francesca Dego, BBC Symphony Orchestra, Dalia Stasevka | C Major | 0 | 8B | 107 BPM | ||
Nocturne | Alexander Borodin, HAUSER, Robert Ziegler, London Symphony Orchestra | A Major | 3 | 11B | 83 BPM | ||
38 Waltzes, Ländler and Ecossaises, Op. 18, D.145, Waltzes: No. 10 in B Minor - No. 11 in B Major - No. 12 in E Major | Franz Schubert, Pierre-Laurent Aimard | B Major | 0 | 1B | 74 BPM |
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