"Brahms: 7 Fantasias, Op. 116: VI. Intermezzo in E Major" by Johannes Brahms, Hélène Grimaud was released on March 1, 1996. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 20 in Brahms : Late Piano Pieces (Elatus) by Johannes Brahms, Hélène Grimaud. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Brahms: 7 Fantasias, Op. 116: VI. Intermezzo in E Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Brahms: 7 Fantasias, Op. 116: VI. Intermezzo in E Major by Johannes Brahms, Hélène Grimaud is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Lyapunov: 12 Études d'exécution transcendante, Op. 11: No. 1, Berceuse | Sergei Lyapunov, Bertrand Chamayou | F♯ Major | 2 | 2B | 65 BPM | ||
Brahms: 3 Intermezzi, Op. 117: No. 1 in E-Flat Major | Johannes Brahms, Fazıl Say | A Minor | 0 | 8A | 66 BPM | ||
Préludes / Book 1, L. 117: VIII. La fille aux cheveux de lin | Claude Debussy, Julien Quentin | F♯ Major | 0 | 2B | 63 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Scarlatti, D: Keyboard Sonata in F Minor, Kk. 466 | Domenico Scarlatti, Fazıl Say | E♭ Minor | 0 | 2A | 90 BPM | ||
Étude No. 3: Ballade | Marie Awadis | B Major | 0 | 1B | 94 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Evgeny Soifertis | C Minor | 0 | 5A | 103 BPM | ||
Brahms: 4 Ballades, Op. 10: No. 3 in B Minor | Johannes Brahms, Nicholas Angelich | F Major | 1 | 7B | 92 BPM |
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