"Bliss, Act II, "The Heart-Throb Hotel": Home Cameo II, "It would be simpler if we just had him committed"" by Brett Dean, Amanda Holden, Kanen Breen, Merlyn Quaife, David Corcoran, Opera Australia Orchestra, Elgar Howarth was released on June 12, 2015. With Bliss, Act II, "The Heart-Throb Hotel": Home Cameo II, "It would be simpler if we just had him committed" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 20 out of 44 in Bliss by Amanda Holden, Brett Dean, Opera Australia. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, Bliss, Act II, "The Heart-Throb Hotel": Home Cameo II, "It would be simpler if we just had him committed" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bliss, Act II, "The Heart-Throb Hotel": Home Cameo II, "It would be simpler if we just had him committed" by Brett Dean, Amanda Holden, Kanen Breen, Merlyn Quaife, David Corcoran, Opera Australia Orchestra, Elgar Howarth is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shadow Music: III. Voices & Shadows | Brett Dean, Swedish Chamber Orchestra | D Minor | 2 | 7A | 71 BPM | ||
D'un matin de printemps | Lili Boulanger, Orchestre National De Lyon, Nikolaj Szeps-Znaider | C Major | 1 | 8B | 142 BPM | ||
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": II. Aria | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | F Minor | 0 | 4A | 68 BPM | ||
Les passions d'hiver | Rihards Dubra, Trio NYX | C Minor | 1 | 5A | 122 BPM | ||
Made Of Dreams | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM | ||
Adams: Girls of the Golden West, Act I Scene 1: It was a driving, vigorous, restless population | John Adams, Los Angeles Philharmonic, Julia Bullock, Ryan McKinny | G Major | 1 | 9B | 80 BPM | ||
Statements for Orchestra: I. Militant | Aaron Copland, London Symphony Orchestra | A♭ Major | 1 | 4B | 111 BPM | ||
Lutoslawski : Symphony No.3 : I Vivo - Lento | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | C Major | 0 | 8B | 131 BPM | ||
Preludio | Giuseppe Bruni, Fortibus Ensemble | B♭ Major | 0 | 6B | 168 BPM | ||
Bliss, Act II, "The Heart-Throb Hotel": Back at the Hotel IV, "Usually I don't feel a thing" | Brett Dean, Amanda Holden, Lorina Gore, Peter Coleman-Wright, Opera Australia Orchestra, Elgar Howarth | C Minor | 1 | 5A | 93 BPM |
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