- BPM
- 81
- Key
- E♭ Minor
- Camelot
- 2A
Matthäus-Passion, BWV 244: Erbarme dich - Arr. for Voice & Piano - Johann Sebastian Bach, Théophile Alexandre, Guillaume Vincent Information
- Acousticness
- 99%
- Danceability
- 24%
- Energy
- 8%
- Instrumentalness
- 58%
- Liveness
- 15%
- Loudness
- 64%
- Speechiness
- 5%
- Valence
- 5%
- Popularity
- 17%
- Loudness
- -21.582 dB
Summary
"Matthäus-Passion, BWV 244: Erbarme dich - Arr. for Voice & Piano" by Johann Sebastian Bach, Théophile Alexandre, Guillaume Vincent was released on September 14, 2018. Since Matthäus-Passion, BWV 244: Erbarme dich - Arr. for Voice & Piano is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 12 out of 21 in ADN Baroque by Théophile Alexandre, Guillaume Vincent. Matthäus-Passion, BWV 244: Erbarme dich - Arr. for Voice & Piano is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Matthäus-Passion, BWV 244: Erbarme dich - Arr. for Voice & Piano BPM
The tempo marking of Matthäus-Passion, BWV 244: Erbarme dich - Arr. for Voice & Piano by Johann Sebastian Bach, Théophile Alexandre, Guillaume Vincent is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Matthäus-Passion, BWV 244: Erbarme dich - Arr. for Voice & Piano Key
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | |
 | Keyboard Sonata in B-Flat Major, K.266/L.48/P.251: Andante | Domenico Scarlatti, Benjamin Frith | B♭ Major | 0 | 6B | 151 BPM | |
 | Nocturne No.5 In F Sharp, Op.15 No.2 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 125 BPM | |
 | Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | |
 | Cantabile, MS 109/Op. 17 (Arr. for Cello and Guitar) | Niccolò Paganini, Jan Vogler | D Major | 3 | 10B | 124 BPM | |
 | Sonata a 5 in G Minor, Op. 2, No. 6: III. Grave | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 94 BPM | |
 | Sonata in D Major, No. 1: III. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 4 | 4B | 117 BPM | |
 | Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel | B♭ Major | 0 | 6B | 89 BPM | |
| Sinfonia for Strings in G major, RV 149: I. Allegro molto | Karoly Botvay | D Major | 2 | 10B | 125 BPM | |
 | Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6916868686676025
End: 0.6970436573028564