Lover, You Should've Come Over
Natalie Maines
Mother
7:00 May 3, 2013
BPM
113
Key
F Major
Camelot
7B

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Lover, You Should've Come Over - Natalie Maines Information

Acousticness
35%
Danceability
37%
Energy
32%
Instrumentalness
0%
Liveness
11%
Loudness
85%
Speechiness
3%
Valence
8%
Popularity
Loudness
-8.798 dB

Summary

"Lover, You Should've Come Over" by Natalie Maines was released on May 3, 2013. Since Lover, You Should've Come Over is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Natalie Maines's "Mother" album is number 5 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Lover, You Should've Come Over is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Lover, You Should've Come Over BPM

We consider the tempo marking of Lover, You Should've Come Over by Natalie Maines to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.

Lover, You Should've Come Over Key

This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

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ISRC
USSM11300670
Label
L-M Records/RCA Records

Section: 0.4381091594696045

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