""Dialogue" Audite mortales" by Bartłomiej Pękiel, Ensemble européen William Byrd, Ensemble Ventosum, Graham O'Reilly was released on November 22, 2007. With this song being about 5 minutes long, at 5:08, ""Dialogue" Audite mortales" by Bartłomiej Pękiel, Ensemble européen William Byrd, Ensemble Ventosum, Graham O'Reilly is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Polish Baroque: Pękiel and His Contemporaries". In this album, this song's track order is #13. In terms of popularity, "Dialogue" Audite mortales is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With "Dialogue" Audite mortales by Bartłomiej Pękiel, Ensemble européen William Byrd, Ensemble Ventosum, Graham O'Reilly having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaudete in Domino | Giaches de Wert, Stile Antico | G Minor | 3 | 6A | 116 BPM | ||
Tenebrae Responsories - Matins Responsories for Holy Saturday: Nocturn II - Recessit pastor noster | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Sonntraud Engels-Benz, Frieder Bernius, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart | B♭ Minor | 0 | 3A | 68 BPM | ||
When Saul was king: IV. All the night she weepeth sore | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Helen Charlston, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
4 Hölderlin-Fragmente: No. 4, Ihr wandelt droben im Licht | Friedrich Cerha, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 1 | 11A | 141 BPM | ||
Mirabile mysterium | Jacobus Gallus, Owain Park, The Gesualdo Six | E Major | 1 | 12B | 125 BPM | ||
Missa senza cerimonie I: Credo | Bartłomiej Pękiel, Wroclaw Baroque Ensemble, Andrzej Kosendiak | G Minor | 2 | 6A | 80 BPM | ||
Tenebrae Responsories - Matins Responsories for Good Friday: Nocturn II - Tamquam ad latronem | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
Missa a14: Gloria | Bartłomiej Pękiel, Charlotte Mobbs, Alice Gribbin, Kim Porter, Caroline Trevor, Jeremy Budd, Matthew Long, Jimmy Holliday, Stuart Young, Eamonn Dougan | D Major | 2 | 10B | 141 BPM | ||
My Lord | Gregorian Chants, Cantori Gregoriani, Gregorian Chant | A♭ Major | 1 | 4B | 133 BPM |
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