"The Golden Cockerel - Suite (Le coq d'or) - Arr. By A. Glazunov (1865-1936) And M. Steinberg (1883-1946): 1. Tsar Dodon In His Palace" by Nikolai Rimsky-Korsakov, Orchestre des Concerts Lamoureux, Igor Markevitch was released on June 6, 2020. Since The Golden Cockerel - Suite (Le coq d'or) - Arr. By A. Glazunov (1865-1936) And M. Steinberg (1883-1946): 1. Tsar Dodon In His Palace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 86 in the song's album "Russian Composers". In this album, this song's track order is #16. In terms of popularity, The Golden Cockerel - Suite (Le coq d'or) - Arr. By A. Glazunov (1865-1936) And M. Steinberg (1883-1946): 1. Tsar Dodon In His Palace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Golden Cockerel - Suite (Le coq d'or) - Arr. By A. Glazunov (1865-1936) And M. Steinberg (1883-1946): 1. Tsar Dodon In His Palace by Nikolai Rimsky-Korsakov, Orchestre des Concerts Lamoureux, Igor Markevitch having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spanish Dance No. 1 (from La vida breve) | Manuel de Falla, Itzhak Perlman, David Garvey | A Major | 3 | 11B | 112 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Waltz No. 10 in B Minor, Op. 69, No. 2 | Frédéric Chopin, Idil Biret | B Minor | 0 | 10A | 155 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Trombone Concerto in B-Flat Major: I. Allegro vivace | Nikolai Rimsky-Korsakov, Christian Lindberg, Tokyo Kosei Wind Orchestra, Chikara Imamura | C Minor | 0 | 5A | 72 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM |
Section: 0.6010217666625977
End: 0.6060044765472412