Tosca Tango Orchestra's 'El Corazón de Tiniebras' came out on May 1, 2003. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 5 in the song's album "Touch Tango Ballet". In this album, this song's track order is #5. Based on our statistics, El Corazón de Tiniebras's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With El Corazón de Tiniebras by Tosca Tango Orchestra having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Escualo - Live | Astor Piazzolla y Quinteto | B Minor | 2 | 10A | 106 BPM | ||
Jay's Theme | Jed Kurzel | C Minor | 0 | 5A | 170 BPM | ||
Threads: I. Prelude - | Paul Lansky, Sō Percussion | B Minor | 1 | 10A | 128 BPM | ||
Promenade | Hikaru Hayashi | C Major | 2 | 8B | 115 BPM | ||
The Clandestine Adventures of Ms. Merz | Tin Hat Trio | B♭ Major | 2 | 6B | 118 BPM | ||
An Eye For Optical Theory | Michael Nyman | B♭ Major | 3 | 6B | 205 BPM | ||
Romanian Folk Dances, Sz. 56 (Arr. A. Levering for Flute & Guitar): No. 3, Pê-loc | Béla Bartók, Irene Kalisvaart, Britta Jacobs | A♭ Minor | 4 | 1A | 111 BPM | ||
Weird Fishes/Arpeggi (Arr. C. O'Riley for Cello & Piano) | Matt Haimovitz, Christopher O'Riley | D Major | 1 | 10B | 141 BPM | ||
No Pain for Cakes | The Lounge Lizards | G Minor | 2 | 6A | 128 BPM | ||
From the Invisible to the Visible | Shara Worden, Nadia Sirota, James McVinnie, Daníel Bjarnason, Frank Aarnink, Valgeir Sigurðsson, Paul Evans, Missy Mazzoli, Paul Corley | C Minor | 1 | 5A | 73 BPM |
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